Back The Last Promise
Chapters (47)
  1. Praise
  2. Dedication
  3. Title Page
  4. Copyright Page
  5. Acknowledgements
  6. TWO YEARS EARLIER. JULY 1999. TUSCANY, ITALY.
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. AFTERWORD
  46. Visit Richard Paul Evans’s Web site for a tour of The Last Promise online.
  47. Teaser chapter

Eliana slung her purse over her shoulder and walked to the curb. She waited for a passing car then crossed the street and walked the two blocks north to the gallery. The gallery was housed in a restored mining shack, narrow, rising three stories above the street. Its wood-paneled exterior was painted rust with orange-yellow trimming. A carved wooden sign that read “The Linton Gallery” hung from chains over its etched front door, blending in with the old town motif. The interior was crowded with art, Western bronzes and antiques, the rooms lit by rows of slim, black track lighting. Carolyn, the gallery’s owner, was seated on a leather couch in the foyer as Eliana entered.

“Well, Ellen, you better get on back to your studio and start painting. You’re sold out.”

“Everything sold?”

“Everything and then some. This place was a zoo a half hour ago. There were a couple gentlemen who purchased the last two of your paintings and were very interested in buying one of the portraits you brought in to exhibit.”

“Which portrait is it?”

“The one of the man holding the book.”

She shook her head. “It’s not for sale.”

“Oh, I told them. But between us, I think you should reconsider. You could always just paint another one, couldn’t you?”

“Not of this one.” Her brow furrowed. “You didn’t promise them anything?”

“No, of course not. But they were pretty insistent. They wanted to speak with you personally.”

“They’re still here?”

“One of them is. The other had to leave. I told them I expected you back any minute, so I think he went back to covet the portrait some more. It would be good for you to personally thank him anyway.”

“All right.”

Eliana walked to the back room. There was only one person there, a man, a little older than she. He was balding and broad-shouldered, and wearing a tweed jacket, Calvin Klein jeans and snakeskin boots. He stood looking at the portrait with his hands in his pockets. His back was to the door she entered from.

“Hello, I’m Ellen.”

The man turned and smiled broadly. He offered his hand. “You’re the artist. I’m Stan. It’s a pleasure.”

“It’s my pleasure.”

“What a gift you have. You really have some beautiful pictures here. My partner and I bought a couple of them already. We would like to purchase this one as well, but the woman up front said it’s not for sale.”

“Thank you, but no, it’s not.”

“It’s a shame. If it’s about money, we’re willing to talk.”

“No. I’m sorry.” She looked at him more closely.

There was something familiar about him. “Have we met before?”

“No. This is my first time in Utah. Besides, a pretty lady like you I definitely would remember.” He looked back at the painting. “Do you mind me asking what’s so special about this painting?”