Chapters (47)
- Praise
- Dedication
- Title Page
- Copyright Page
- Acknowledgements
- TWO YEARS EARLIER. JULY 1999. TUSCANY, ITALY.
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- AFTERWORD
- Visit Richard Paul Evans’s Web site for a tour of The Last Promise online.
- Teaser chapter
Eliana slung her purse over her shoulder and walked to the curb. She waited for a passing car then crossed the street and walked the two blocks north to the gallery. The gallery was housed in a restored mining shack, narrow, rising three stories above the street. Its wood-paneled exterior was painted rust with orange-yellow trimming. A carved wooden sign that read “The Linton Gallery” hung from chains over its etched front door, blending in with the old town motif. The interior was crowded with art, Western bronzes and antiques, the rooms lit by rows of slim, black track lighting. Carolyn, the gallery’s owner, was seated on a leather couch in the foyer as Eliana entered.
“Well, Ellen, you better get on back to your studio and start painting. You’re sold out.”
“Everything sold?”
“Everything and then some. This place was a zoo a half hour ago. There were a couple gentlemen who purchased the last two of your paintings and were very interested in buying one of the portraits you brought in to exhibit.”
“Which portrait is it?”
“The one of the man holding the book.”
She shook her head. “It’s not for sale.”
“Oh, I told them. But between us, I think you should reconsider. You could always just paint another one, couldn’t you?”
“Not of this one.” Her brow furrowed. “You didn’t promise them anything?”
“No, of course not. But they were pretty insistent. They wanted to speak with you personally.”
“They’re still here?”
“One of them is. The other had to leave. I told them I expected you back any minute, so I think he went back to covet the portrait some more. It would be good for you to personally thank him anyway.”
“All right.”
Eliana walked to the back room. There was only one person there, a man, a little older than she. He was balding and broad-shouldered, and wearing a tweed jacket, Calvin Klein jeans and snakeskin boots. He stood looking at the portrait with his hands in his pockets. His back was to the door she entered from.
“Hello, I’m Ellen.”
The man turned and smiled broadly. He offered his hand. “You’re the artist. I’m Stan. It’s a pleasure.”
“It’s my pleasure.”
“What a gift you have. You really have some beautiful pictures here. My partner and I bought a couple of them already. We would like to purchase this one as well, but the woman up front said it’s not for sale.”
“Thank you, but no, it’s not.”
“It’s a shame. If it’s about money, we’re willing to talk.”
“No. I’m sorry.” She looked at him more closely.
There was something familiar about him. “Have we met before?”
“No. This is my first time in Utah. Besides, a pretty lady like you I definitely would remember.” He looked back at the painting. “Do you mind me asking what’s so special about this painting?”