Back The Last Promise
Chapters (47)
  1. Praise
  2. Dedication
  3. Title Page
  4. Copyright Page
  5. Acknowledgements
  6. TWO YEARS EARLIER. JULY 1999. TUSCANY, ITALY.
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. AFTERWORD
  46. Visit Richard Paul Evans’s Web site for a tour of The Last Promise online.
  47. Teaser chapter

“I’ve wondered about that.” She disdainfully speared another olive, adding it to the pile. “So how’s the adjustment back to American life? Everything getting back to normal?”

“I’m not sure that I know what normal is anymore. It seems that everyone is in a hurry all the time.”

“That’s what we Americans do best.”

She sighed. “Not this one.”

“Good. Artists shouldn’t be in a hurry. Are you going to stay in Vernal?”

“I don’t know. It’s pretty small. I guess we’ll see.”

“There’s plenty of nice places available in Park City. I’ve got an ex who’s a real estate agent up here. Bad husband but good agent. Give me the word and I’ll tell him you’re looking.”

“I’m not sure if Park City is right for us.”

“Well, Park City certainly loves you. You’ve got to be pleased with how things are going.”

“I didn’t know what to expect.”

“Let me tell you, this kind of response for a first showing is extraordinary. I talked to Carolyn on the way up. She said there are only a couple paintings that haven’t sold yet. I’m not surprised. Tuscany is so haute right now.” She took a fork of lettuce and dipped it into a small cup of Italian dressing. “Taking nothing from your talent, of course.”

“Toscana seems to be all the rage back here.”

“I told you you’d do well. I knew it the moment I saw your first painting. I do think we should play up your countess title. It’s much more exciting owning something done by nobility.”

Eliana shook her head. “No.”

Marsha raised one eyebrow.

“Absolutely not.”

Marsha sighed, then conceded with a flourish of her free hand. “You’re too humble, Ellen. You’ve got to learn to flaunt. It’s marketing. But either way, things are going to just keep happening for you. That reminds me. I can’t believe I almost forgot to tell you. Do you know Boyd McCann?”

“No.”

Marsha reached into her purse and brought out a business card. She laid it on the table in front of Eliana. The card was burnt umber, with a large palm leaf in gold foil embossed with the name Boyd McCann and Associates.

“You met him last week.”

“I did?”

“Yeah, he’s a big Salt Lake City interior designer. Does all the Deer Valley, Walker Lane crowd. Only deals with the filthy rich, Hollywood ski bums, my kind of filth. He left me his card the other night. He wants you to do some private commissions.”

“Really?”

“Oh, it gets better. Are you sure you don’t remember him? He was that forty-something guy at the reception, the one with the cute butt and the Mercedes-Benz ragtop?”

Eliana remembered and grimaced slightly. “I remember him. He was the guy with fake hair, too much cologne and wandering hands.”