Contents ( 61)
- The Lady of the Rivers
- CASTLE OF BEAUREVOIR, NEAR ARRAS, FRANCE,
- ROUEN, FRANCE,
- CASTLE OF ST POL, ARTOIS,
- PARIS, FRANCE,
- CASTLE OF CALAIS, FRANCE,
- WESTMINSTER PALACE, LONDON,
- PENSHURST,
- PARIS, FRANCE,
- GISORS, FRANCE,
- ROUEN, FRANCE,
- ENGLAND,
- GRAFTON, NORTHAMPTONSHIRE,
- WESTMINSTER PALACE, LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- LONDON,
- WESTMINSTER PALACE, LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- NANCY, FRANCE,
- TITCHFIELD ABBEY, HAMPSHIRE,
- LONDON,
- WESTMINSTER PALACE, LONDON,
- WESTMINSTER PALACE, LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- PLYMOUTH,
- GRAFTON, NORTHAMPTONSHIRE,
- LONDON,
- THE WEST OF ENGLAND,
- GRAFTON, NORTHAMPTONSHIRE,
- PALACE OF PLACENTIA, GREENWICH, LONDON,
- THE TOWER OF LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- CLARENDON PALACE, WILTSHIRE,
- WESTMINSTER PALACE, LONDON,
- WESTMINSTER PALACE, LONDON,
- WINDSOR CASTLE,
- WINDSOR CASTLE,
- THE PALACE OF PLACENTIA, GREENWICH, LONDON,
- HERTFORD CASTLE,
- GROBY HALL, LEICESTERSHIRE,
- HERTFORD CASTLE,
- WESTMINSTER PALACE, LONDON,
- GRAFTON, NORTHAMPTONSHIRE,
- KENILWORTH CASTLE, WARWICKSHIRE,
- ROCHESTER CASTLE, KENT,
- WESTMINSTER PALACE, LONDON,
- WESTMINSTER PALACE, LONDON,
- ON CAMPAIGN,
- SANDWICH, KENT, AND CALAIS,
- COVENTRY,
- NORTHAMPTON,
- GRAFTON, NORTHAMPTONSHIRE,
- GRAFTON, NORTHAMPTONSHIRE,
- ON THE MARCH,
- ST ALBANS,
- YORK,
- GRAFTON, NORTHAMPTONSHIRE,
- AUTHOR’S NOTE
- BIBLIOGRAPHY
A great litter comes up, thick curtains tied tight with gold cord against the cold, and Bedford’s wife, the Duchess Anne, is helped out. A small cheer greets her from our men: she is of the House of Burgundy, our liege lords and relations, and we all dip in a little bow to her. She is as plain as all the Burgundy family, poor things, but her smile is merry and kind, and she greets her husband warmly and then stands with her hand comfortably tucked in the crook of his arm and looks about her with a cheerful face. She waves at my aunt and points inside the castle to say that we must come to her later. ‘We’ll go at dinnertime,’ my aunt says to me in a whisper. ‘Nobody in the world eats better than the Dukes of Burgundy.’
Bedford takes off his helmet and bows to the crowd in general, raises a gauntleted hand to the people who are leaning from upper windows and balancing on garden walls to see the great man. Then he turns and leads his wife inside and everyone has a sense that we have seen the cast of players and the opening scene of a travelling show. But whether it is a masque, or a party, funeral rites, or the baiting of a wild animal, that has brought so many of the greatest people in France to Rouen: it is about to begin.
ROUEN, FRANCE,
SPRING 1431
And then they bodge it. They harass her with erudite questions, query her replies, double back on her answers, write down things she says in moments of weariness and bring them back to her later, define their terms in the most learned ways and ask her what she means, so that she does not understand the question and tells them simply ‘pass on’ or ‘spare me that’. Once or twice she just says, ‘I don’t know. I simple girl with no learning. How would I know?’
My uncle gets an anguished letter from Queen Yolande of Aragon, who says she is certain that the Dauphin will ransom Joan, she just needs another three days, another week to persuade him, can we not delay the trial? Can we not ask for a few days’ delay? But the Church has the girl wound tight in the web of inquiry and now they will never let her go.
Everything that highly educated men can do to obscure a simple truth, to make a woman doubt her feelings, to make her own thoughts a muddle, they do to her. They use their learning as a hurdle to herd her one way and then another, and then finally trap her in contradictions of which she can make no sense. Sometimes they accuse her in Latin and she looks at them, baffled by a language that she has only ever heard spoken in church, in the Mass that she loves. How could these very sounds, these familiar beloved tones, so solemn and musical to her, now be the voice of accusation?