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Contents ( 186)
  1. Information about the Series
  2. The Cemetery of Forgotten Books
  3. Daniel’s Book
  4. 1
  5. 2
  6. Dies Irae Barcelona March 1938
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. 12
  19. 13
  20. 14
  21. 15
  22. 16
  23. 17
  24. 18
  25. Masked Ball Madrid 1959
  26. 1
  27. 2
  28. 3
  29. 4
  30. 5
  31. 6
  32. Kyrie Madrid December 1959
  33. 1
  34. 2
  35. 3
  36. 4
  37. 5
  38. 6
  39. 7
  40. 8
  41. 9
  42. 10
  43. 11
  44. 12
  45. 13
  46. 14
  47. 15
  48. 16
  49. 17
  50. 18
  51. City of Mirrors Barcelona December 1959
  52. 1
  53. 2
  54. 3
  55. 4
  56. 5
  57. 6
  58. 7
  59. 8
  60. 9
  61. 10
  62. 11
  63. 12
  64. 13
  65. 14
  66. 15
  67. 16
  68. 17
  69. 18
  70. 19
  71. 20
  72. 21
  73. 22
  74. 23
  75. 24
  76. 25
  77. 26
  78. 27
  79. 28
  80. 29
  81. 30
  82. 31
  83. 32
  84. 33
  85. 34
  86. 35
  87. The Forgotten
  88. 1
  89. 2
  90. 3
  91. 4
  92. 5
  93. 6
  94. 7
  95. 8
  96. 9
  97. 10
  98. 11
  99. 12
  100. 13
  101. 14
  102. 15
  103. 16
  104. 17
  105. 18
  106. 19
  107. 20
  108. 21
  109. 22
  110. 23
  111. 24
  112. 25
  113. 26
  114. 27
  115. 28
  116. 29
  117. 30
  118. 31
  119. 32
  120. 33
  121. 34
  122. 35
  123. 36
  124. Agnus Dei January 1960
  125. 1
  126. 2
  127. 3
  128. 4
  129. 5
  130. 6
  131. 7
  132. 8
  133. 9
  134. 10
  135. 11
  136. 12
  137. 13
  138. 14
  139. 15
  140. 16
  141. 17
  142. 18
  143. 19
  144. 20
  145. 21
  146. 22
  147. 23
  148. 24
  149. 25
  150. Isabella’s Notebook 1939
  151. 1
  152. 2
  153. 3
  154. 4
  155. 5
  156. 6
  157. Libera Me Madrid January 1960
  158. 1
  159. 2
  160. 3
  161. 4
  162. 5
  163. 6
  164. In Paradisum Barcelona February 1960
  165. 1
  166. 2
  167. 3
  168. 4
  169. 5
  170. 6
  171. Barcelona April 23, 1960
  172. 1
  173. 2
  174. 3
  175. 4
  176. 1964
  177. A.G.
  178. Julián’s Book
  179. 1
  180. 2
  181. 3
  182. Epilogue Barcelona August 9, 1992
  183. Author’s Note
  184. About the Author
  185. Copyright
  186. About the Publisher

From afar the doorway had looked like the entrance to a residential property, but once closer Fernandito realized that it in fact led to the ground floor of some business. A rusty roll-up door sealed the front. A smaller door, cut into the metal, was slightly ajar. Over the lintel, a faded notice announced:

MANNEQUIN FACTORY

CORTÉS BROTHERS

TAILORING ACCESSORIES & WORKSHOP

Established 1909

The workshop looked abandoned, and had clearly been closed for years. Fernandito wavered. Everything seemed to be screaming at him to get away from that place and go in search of help. He’d retreated as far as the corner when the image of Vargas’s crushed body and face stopped him. He turned around and went back to the workshop. Sticking his fingers over the edge of the small door, he opened it a fraction.

* * *

It was pitch-dark inside. He pulled the door right back and let the faint light filtering through the rain sketch a doorway into darkness. He stared at the outline of what appeared to be a shop like the ones he remembered from his childhood days—wooden counters, glass cabinets, and a few tumbled-down chairs. Everything was covered with what at first looked like sheets of transparent silk. Only after a few bewildered seconds did he realize they were cobwebs. A couple of naked dummies stood in a corner, wrapped in an embrace of webs, as if some giant spider had dragged them there to devour them.

A metallic echo was coming from somewhere deep within the premises. Fernandito narrowed his eyes and noticed that behind the dust-covered counter, a curtain led to a back room. It still swayed gently. He walked over and, almost unable to breathe, gently drew the curtain aside. A long corridor stretched before him. Suddenly the brightness behind him dimmed. He turned just in time to see that the wind, or perhaps someone’s hand, had pushed the small entrance door, and it was slowly closing.

* * *

Alicia advanced through the kitchen, her eyes fixed on a door behind which voices echoed, muffled by the hammering of the rain. She heard footsteps on the other side, and the sudden bang of a heavy door closing. She stopped and, while she waited, examined the layout of the kitchen. The stoves, ovens, and grills looked as if they hadn’t been used for a long time. Frying pans, pots, knives, and other utensils still hung from rails on the wall. The metal had turned a darker shade. A large marble sink was full of rubble. The center of the room was taken up by the wooden table, chains and straps tied to its legs and dry blood covering its top. She wondered what they had done with the body of Sanchís’s chauffeur, and whether Victoria was still alive.

She walked over to the door and put her ear to it. The voices seemed to come from a nearby room. She was about to open the door a fraction to have a look when once more she heard what at first she’d thought was the sound of rain striking the windowpanes, a metallic drumming that seemed to come from deep down in the house. She held her breath and heard it again. Something or someone was banging a wall or a water pipe. She went over to listen by the well of a dumbwaiter. There she could hear it better, and tell that it came from below. There was something under the kitchen.