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Contents ( 186)
  1. Information about the Series
  2. The Cemetery of Forgotten Books
  3. Daniel’s Book
  4. 1
  5. 2
  6. Dies Irae Barcelona March 1938
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. 12
  19. 13
  20. 14
  21. 15
  22. 16
  23. 17
  24. 18
  25. Masked Ball Madrid 1959
  26. 1
  27. 2
  28. 3
  29. 4
  30. 5
  31. 6
  32. Kyrie Madrid December 1959
  33. 1
  34. 2
  35. 3
  36. 4
  37. 5
  38. 6
  39. 7
  40. 8
  41. 9
  42. 10
  43. 11
  44. 12
  45. 13
  46. 14
  47. 15
  48. 16
  49. 17
  50. 18
  51. City of Mirrors Barcelona December 1959
  52. 1
  53. 2
  54. 3
  55. 4
  56. 5
  57. 6
  58. 7
  59. 8
  60. 9
  61. 10
  62. 11
  63. 12
  64. 13
  65. 14
  66. 15
  67. 16
  68. 17
  69. 18
  70. 19
  71. 20
  72. 21
  73. 22
  74. 23
  75. 24
  76. 25
  77. 26
  78. 27
  79. 28
  80. 29
  81. 30
  82. 31
  83. 32
  84. 33
  85. 34
  86. 35
  87. The Forgotten
  88. 1
  89. 2
  90. 3
  91. 4
  92. 5
  93. 6
  94. 7
  95. 8
  96. 9
  97. 10
  98. 11
  99. 12
  100. 13
  101. 14
  102. 15
  103. 16
  104. 17
  105. 18
  106. 19
  107. 20
  108. 21
  109. 22
  110. 23
  111. 24
  112. 25
  113. 26
  114. 27
  115. 28
  116. 29
  117. 30
  118. 31
  119. 32
  120. 33
  121. 34
  122. 35
  123. 36
  124. Agnus Dei January 1960
  125. 1
  126. 2
  127. 3
  128. 4
  129. 5
  130. 6
  131. 7
  132. 8
  133. 9
  134. 10
  135. 11
  136. 12
  137. 13
  138. 14
  139. 15
  140. 16
  141. 17
  142. 18
  143. 19
  144. 20
  145. 21
  146. 22
  147. 23
  148. 24
  149. 25
  150. Isabella’s Notebook 1939
  151. 1
  152. 2
  153. 3
  154. 4
  155. 5
  156. 6
  157. Libera Me Madrid January 1960
  158. 1
  159. 2
  160. 3
  161. 4
  162. 5
  163. 6
  164. In Paradisum Barcelona February 1960
  165. 1
  166. 2
  167. 3
  168. 4
  169. 5
  170. 6
  171. Barcelona April 23, 1960
  172. 1
  173. 2
  174. 3
  175. 4
  176. 1964
  177. A.G.
  178. Julián’s Book
  179. 1
  180. 2
  181. 3
  182. Epilogue Barcelona August 9, 1992
  183. Author’s Note
  184. About the Author
  185. Copyright
  186. About the Publisher

The bullet produced a dull vibration as it exploded inside the bag. The shot, almost at point-blank, made a hole in the wood the size of a fist. A streak of light lit up the interior. Fermín’s hands now reacted before his brain. He aimed the weapon at the same point and pulled the trigger again and again. But water had already filled the bag, and none of the bullets exploded. He grabbed another rifle and fired through the bag. The first two shots didn’t work, but at the third shot Fermín felt his arms jerk back and saw the hole in the wood getting larger. He emptied the rifle of ammunition until his lean, battered body managed to push through the gap. The edges of the splintered wood bit into his skin, yet the promise of that ghostly light and the sheet of brightness he could glimpse on the surface would have helped him cross a field of knives.

The murky water of the port burned his eyes, but Fermín kept them open. An underwater forest of lights and shadows rocked to and fro in the greenish gloom. Below him lay a scene of debris, skeletons of sunken boats, and centuries of mud. He looked up toward the columns of hazy light falling from above. The merchant ship’s hull was silhouetted against the surface, forming a large shadow. He reckoned that that part of the port was at least fifteen meters deep, perhaps more. If he managed to reach the surface on the other side of the ship’s hull, maybe nobody would notice his presence and he’d be able to survive. Giving himself a push by pressing his feet against the remains of the box, he began to swim up. Only then, as he slowly rose to the surface, were his eyes able to catch a fleeting glimpse of the ghostly vision hiding in the depths. He realized that what he had taken to be seaweed and discarded nets were actually bodies swaying in the dark. Dozens of handcuffed corpses, their legs bound together and chained to stones or blocks of cement, formed an underwater cemetery. The flesh on their faces had been peeled away by the eels that slithered through their limbs, and their hair fluttered in the current. Fermín recognized the shapes of men, women, and children. At their feet lay suitcases and bundles half buried in mud. Some of the bodies were already so decomposed that all that was left of them were bones peeping through tattered bits of clothes. The corpses formed an endless gallery that disappeared into the darkness. Fermín closed his eyes and a second later emerged into life, discovering that the simple act of breathing was the most marvelous experience of his entire existence.