With Kelmomas in tow—he had become much more reluctant at the mention of his brother—Esmenet set off in search of her other darling, Samarmas. The galleries at the summit of the Andiamine Heights were not so very large, but they had the habit of becoming labyrinthine whenever she needed to find someone or something. Of course she could have dispatched slaves to search for him—even now her train of attendants followed at a discrete distance—but she was wary of delegating too much in the way of trivial tasks: It seemed madness enough to be dressed by strange hands in the morning, let alone never having to hunt for her own children. Power, she had come to realize, had the insidious habit of inserting others between you and your tasks, rendering your limbs little more than decorative mementoes of a more human past. Her only organs remaining, it sometimes seemed, were those belonging to statecraft: a tongue attached to a devious soul.

She paused at the juncture of every corridor, the instinctive way parents do not so much look for their children as make themselves visible. Each time figures fell to their faces down the length of the marble shafts, the slaves like hairless dogs, the functionaries like piles of lavish fabric. Gilded corbels gleamed. Decorative columns shone with lines curved to the positioning of lanterns or ceiling apertures.

Not much had changed since the days when the Ikurei Dynasty had presided over the Andiamine Heights. Certainly, the palace had grown in measure with the Empire—or her hips, as it sometimes seemed. Momemn had been one of the few Three Seas cities with wisdom enough to throw itself upon the mercy of her husband. There had been no smoke on the wind, no blood on the flagstones, when she had first walked these halls. And what a wonder it had seemed then, that people could encase themselves in such glorious luxury. Marbles looted from Shigeki ruins. Gold beaten into foils, cast into figures both human and divine. The famed frescoes, such as the Blue Hubris by the suicide, Anchilas, or the anonymous Chorus of the Seas in the Mirullian Foyer. The white-jade censers. The Zeumi tapestries. The carpets so long, so ornate, that lifetimes had been spent weaving them …

All it had lacked was power.

A kind of mute inattention dogged her as she walked. She found herself turning down the hall almost without realizing, though she had been able to hear the screams for some time. His screams, Inrilatas. One of her middle children, youngest save for the twins.