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Chapters (25)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Epigraph
  5. CHAPTER ONE - Sakarpus
  6. CHAPTER TWO - Hûnoreal
  7. CHAPTER THREE - Momemn
  8. CHAPTER FOUR - Hûnoreal
  9. CHAPTER FIVE - Momemn
  10. CHAPTER SIX - Marrow
  11. CHAPTER SEVEN - Sakarpus
  12. CHAPTER EIGHT - The River Rohil
  13. CHAPTER NINE - Momemn
  14. CHAPTER TEN - Condia
  15. CHAPTER ELEVEN - The Osthwai Mountains
  16. CHAPTER TWELVE - The Andiamine Heights
  17. CHAPTER THIRTEEN - Condia
  18. CHAPTER FOURTEEN - Cil-Aujas
  19. CHAPTER FIFTEEN - Condia
  20. CHAPTER SIXTEEN - Cil-Aujas
  21. Interlude: Momemn
  22. House Anasûrimbor
  23. What Has Come Before …
  24. Acknowledgements
  25. Also by R. Scott Bakker

What Achamian had thought a vast entrance gallery turned out to be a subterranean road. The line of walkers quickly coalesced into two bands, one following Cleric and his hanging point of sorcerous light in the lead, the other crowding Achamian and his Surrillic Cant of Illumination. For a time they seemed to shuffle more than stride, a gawking band staring up and around, painfully aware of their trespass. Everyone cringed at the sound of voices. Fragments of what might have been bone gravelled their steps. Dust fogged their ankles.

Images. Images planked every surface, virginal as exhumed graves, soaked in the gloom of unwitnessed ages. The style mirrored that of the Obsidian Gate: the walls banded with layered pictorial reliefs, the outer set like impossibly elaborate grillwork over the inner, vaulting some forty feet. The sedimentary grain, whorls of charcoal black veined with grey, made it obvious that it had been hewn from living rock. Whole sections shone like brown and black glass. Pinned between their passing points of light, the walls literally seethed with counterfeit motion.

It was the absence of weathering that distinguished the hall from the Gate. The detail baffled the eye, from the mail of the Nonmen warriors to the hair of the human slaves. Scars striping knuckles. Tears lining supplicants’ cheeks. Everything had been rendered with maniacal intricacy. The effect was too lifelike, Achamian decided, the concentration too obsessive. The scenes did not so much celebrate or portray, it seemed, as reveal, to the point where it hurt to watch the passing sweep of images, parade stacked upon parade, entire hosts carved man for man, victim for victim, warring without breath or clamour.

Pir-Pahal, Achamian realized. The entire hall was dedicated to it, a great and ancient battle fought between the Nonmen and the Inchoroi. He could even recognize the principals: the traitor, Nin’janjin, and his sovereign, Cu’jara Cinmoi, the Nonman Emperor. The mighty hero, Gin’gûrima, with arms like a man’s thighs. And the Inchoroi King, Sil, armoured in corpses, flanked by his inhuman kinsmen, winged monstrosities with wicked limbs, pendulous phalli, and skulls grafted into skulls.

Achamian nearly stumbled when he saw the Heron Spear raised high in Sil’s articulated arms.

“Those things …” Mimara whispered from his side.

“Inchoroi,” Achamian muttered. With a kind of wonder, he thought of Kellhus and his Great Ordeal, of their mad march across the wasted North to Golgotterath. The war depicted on these walls, he realized, had never ended, not truly.

Ten thousand years of woe.

“These are their memories,” Achamian found himself saying aloud. “The Nonmen cut their past into the walls … as a way to make it as immortal as their bodies.”

The faces of several scalpers turned toward him, some in expectation, others in annoyance. Speaking seemed a kind of sacrilege, like ill-willed gossip in the light of a funeral pyre.