"I can't stand it—I can't stand her singing that now," she sobbed.

Thirty feet away, across the yard, Hodder saw the gleaming window from which the music came. He got to his feet. Another verse began, with more of the brazen emphasis of the concert-hall singer than ever. He glanced at the woman beside him, irresolutely.

"I'll speak to her," he said.

Mrs. Garvin did not appear to hear him, but flung herself down beside the lounge. As he seized his hat and left the room he had the idea of telephoning for a nurse, when he almost ran into some one in the upper hall, and recognized the stout German woman, Mrs. Breitmann.

"Mrs. Garvin"—he said, "she ought not to be left—"

"I am just now going," said Mrs. Breitmann. "I stay with her until her husband come."

Such was the confidence with which, for some reason, she inspired him, that he left with an easier mind.

It was not until the rector had arrived at the vestibule of the apartment house next door that something—of the difficulty and delicacy of the errand he had undertaken came home to him. Impulse had brought him thus far, but now he stood staring helplessly at a row of bells, speaking tubes, and cards. Which, for example, belonged to the lady whose soprano voice pervaded the neighbourhood? He looked up and down the street, in the vain hope of finding a messenger. The song continued: he had promised to stop it. Hodder accused himself of cowardice.

To his horror, Hodder felt stealing over him, incredible though it seemed after the depths through which he had passed, a faint sense of fascination in the adventure. It was this that appalled him—this tenacity of the flesh,—which no terrors seemed adequate to drive out. The sensation, faint as it was, unmanned him. There were still many unexplored corners in his soul.

He turned, once more contemplated the bells, and it was not until then he noticed that the door was ajar. He pushed it open, climbed the staircase, and stood in the doorway of what might be called a sitting room, his eyes fixed on a swaying back before an upright piano against the wall; his heart seemed to throb with the boisterous beat of the music. The woman's hair, in two long and heavy plaits falling below her waist, suddenly fascinated him. It was of the rarest of russet reds. She came abruptly to the end of the song.

"I beg your pardon—" he began.

She swung about with a start, her music dropping to the floor, and stared at him. Her tattered blue kimono fell away at her elbows, her full throat was bare, and a slipper she had kicked off lay on the floor beside her. He recoiled a little, breathing deeply. She stared at him.