Back The Imposter Save as PDF
Chapters (55)
  1. Cover
  2. ANNA WHARTON
  3. Dedication page
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. ACKNOWLEDGEMENTS
  54. Praise
  55. THE IMPOSTER

She scratches the back of her neck, cursing the unzipped bag, the clothes spilling out of it, wondering why she’d even mentioned it to Hollie. If she hadn’t, she wouldn’t be having to answer any of these questions. The bag stares at her from the end of the bed.

‘Really?’ Silence. ‘Go away where?’

‘I don’t know . . . maybe the coast, just . . . I don’t know . . . a change of scenery.’

She shakes her head to the air. It’s the best she can come up with.

There’s a pause on the other end of the line.

‘You don’t have to keep doing this, Chloe. You could come and stay with me and Phil . . .’

Chloe rolls her eyes.

‘Chloe? Are you still there?’

‘Yes, I’m still here.’

‘I mean, well, if you’re feeling a bit lonely. I’ve told you before, we’ve got our box room and—’

‘I’m fine,’ she says, perhaps too cheerily. She curses her own mistake. She tries again. ‘I’m fine.’

‘We’ve just done up the box room, I got this lovely duvet cover and matching lampshade from . . .’

Chloe thinks then of the blue and green duvet in the Kyles’ spare room. She can imagine Maureen picking it out, making the bed, ironing out the creases with her hand and standing back to admire her work.

‘. . . and you don’t want that happening again, do you?’ Hollie is still talking.

‘Sorry, what?’ Chloe says.

‘I was just saying, about the last time and all that trouble wi—’

‘Hollie, I’ve just got another call waiting, can I call you back?’

‘Yes, yes, of course, I’ll sp—’

Chloe hangs up and flops back on the bed. Her phone slips out of her hand onto the floor. She started packing this morning as an experiment – just playing with the idea of moving to Low Drove. She wasn’t really going to go, of course she wasn’t. She just wanted to see what it felt like, being Maureen and Patrick’s lodger. The whole thing is ridiculous. She stands up and starts taking the clothes out the bag, just like she has done several times that morning. She can’t move to Low Drove. She pauses. Can she? Chloe returns the clothes to the bag. But moving there, that’s not the same as simply investigating. No, it’s much more intrusive, deceitful even. She takes the clothes out again. But how can it be? It’s not like she’s there to do harm to the Kyles. Quite the opposite. She wants to help them.