Back The Imposter Save as PDF
Chapters (55)
  1. Cover
  2. ANNA WHARTON
  3. Dedication page
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. ACKNOWLEDGEMENTS
  54. Praise
  55. THE IMPOSTER

Chloe sits upright in her seat, willing the scenery to flash past faster at the windows. Even two inches closer to the edge of her seat will mean she pulls in to London quicker. When the trolley comes around she buys a KitKat and a Diet Coke. It fizzes as she pours it into a beige plastic cup.

The train heads out to the edges of Fenland. There is still frost on the ground and birds stand on the woolly backs of sheep to keep their feet warm. Everyone is useful to someone.

Takeaways and betting shops lead Chloe to Acton police station from the tube, and like a trail of breadcrumbs these garish signs will lead her back the way she came. When she reaches the counter she’s panting, as if she had been holding her breath all the way from Peterborough.

‘My nan . . . Grace Hudson . . . she’s h— I mean, she’s been found. She’s here.’

The officer behind the counter gestures for her to slow down.

‘OK, let’s start at the beginni—’

‘It was PC Bains who called me, she . . . she said Nan was here, that she was fine. Dehydrated. Please, I just need to see her.’

‘OK, OK . . .’ the officer says, more sympathetic than impatient. He taps something into his computer. ‘Can you tell me your grandmother’s name?’

‘Grace. Grace Hudson.’

Chloe scans his face for recognition while he studies his computer screen. She learnt a long time ago to read faces for the bits people don’t tell you.

‘Would you like to take a seat and I’ll let PC Bains know you’re here.’

‘Is she here? Nan, I mean.’

‘If you could just take a seat,’ he says. He indicates towards the bench behind her, blue and shiny, matching the Met Police logo.

Chloe waits in reception – just like on the train – on the very edge of her seat. She scans each person in uniform who walks by in case she can identify PC Bains. She distracts herself by picking the dry skin around her nails until red bleeds into her cuticles.

She hears a voice down the corridor. Nan’s voice. She looks up. PC Bains is walking along the corridor towards her, her arm hooked around Nan’s elbow, talking to her as if they’re old friends. Chloe stands up and rushes towards them like she knows for sure they’d do in films.

‘Nan,’ she says.

Nan looks at her like they saw each other just five minutes before.

‘Chloe, whatever’s happened, dear? You look like you’ve seen a ghost.’

PC Bains pats her arm. She has a Brummie accent when she speaks. ‘She’s been worried about you, Grace. You went wandering, didn’t you? You’ve caused your poor granddaughter all sorts of worry.’

‘I don’t have a granddaughter.’

PC Bains gives Chloe a sympathetic look.