Chapters (55)
- Cover
- ANNA WHARTON
- Dedication page
- ONE
- TWO
- THREE
- FOUR
- FIVE
- SIX
- SEVEN
- EIGHT
- NINE
- TEN
- ELEVEN
- TWELVE
- THIRTEEN
- FOURTEEN
- FIFTEEN
- SIXTEEN
- SEVENTEEN
- EIGHTEEN
- NINETEEN
- TWENTY
- TWENTY-ONE
- TWENTY-TWO
- TWENTY-THREE
- TWENTY-FOUR
- TWENTY-FIVE
- TWENTY-SIX
- TWENTY-SEVEN
- TWENTY-EIGHT
- TWENTY-NINE
- THIRTY
- THIRTY-ONE
- THIRTY-TWO
- THIRTY-THREE
- THIRTY-FOUR
- THIRTY-FIVE
- THIRTY-SIX
- THIRTY-SEVEN
- THIRTY-EIGHT
- THIRTY-NINE
- FORTY
- FORTY-ONE
- FORTY-TWO
- FORTY-THREE
- FORTY-FOUR
- FORTY-FIVE
- FORTY-SIX
- FORTY-SEVEN
- FORTY-EIGHT
- FORTY-NINE
- ACKNOWLEDGEMENTS
- Praise
- THE IMPOSTER
She lies on her bed in the evening light. Maureen has left Puss on her pillow again. The clocks went forward last weekend and hope lingers at the end of each day now. Not for Chloe anymore. She could leave, she knows she could. She could just pack up her things and go. But – she looks out of the window, across the tops of the trees that disguise the garden in these desolated fields – something keeps her here. Maureen? Her unwavering belief that Chloe is her missing daughter? Or is it what had pulled her to Elm House in the first place: a search for truth? Everything is so blurred now, it’s impossible to tell.
She leans over the side of the bed and fishes underneath for her archive. Her hand sweeps dusty floorboards, a pair of old trainers, nothing else. She leans further off the bed, waiting to feel her fingertips touch the box, but instead there is a space where it should be. She slides off the bed, looks underneath, all the way back to the wall. Her heart is gripped with panic. She is on her belly now, frantically pushing aside the trainers, a few discarded magazines. There is no box. She pulls herself out. Scans her room. Did she leave it out? Might it have been found? But the shoebox is nowhere to be seen. She stands, circling the floor. Her head is pounding now. She strides back to her bed, strips off the duvet. Has it become tangled inside it? She strips the bed all the way back to the mattress, but it isn’t there. She throws the pillow onto the floor. She opens the cupboard of the bedside table, nothing. She pulls out the bed. She looks down the gap between the bed and the window. The box is gone. Her archive is gone.
Her archive is gone.
Her heart is pounding as she reaches for the door handle. The sweat on her hands makes it turn inside her palm. She’s trapped, she thinks, just for an instant. But then the door releases and the air on the landing is cooler, and downstairs the same old sounds float back up to her.
‘Is everything all right, Chloe?’ Maureen says, appearing at the bottom of the stairs. ‘I heard some banging up there . . . ooh, you do look pale.’
Chloe wipes her hands on her clothes. ‘No . . . no, everything is . . . I’m OK. I mean, it’s OK. There’s nothing.’