Back The Imposter Save as PDF
Chapters (55)
  1. Cover
  2. ANNA WHARTON
  3. Dedication page
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. ACKNOWLEDGEMENTS
  54. Praise
  55. THE IMPOSTER

Chloe pushes open the thick heavy doors to the police station. She scans the benches that line the walls in case Nan is waiting there in reception. She can almost picture her: a puzzled face, shivering from the cold, but there, all the same. Instead a skinny man sits in a battered leather jacket and dirty jeans, and a woman in her fifties opposite clutches her handbag as though it contains precious forensic evidence.

Chloe walks up to the reception desk and presses the bell. An overweight woman slumps slowly towards the window.

‘Yes?’

‘I’m enquiring about my nan, she’s missing. I just want to know if there’s been any news?’

‘Name?’

‘My name?’

‘Your grandmother’s.’

‘Oh, Grace Hudson.’

‘Has an officer been in touch with you to say there’ve been any developments?’

‘Well, no, but—’

‘Then I think it’s fair to assume there haven’t been any sightings. Have we got your contact details in case any of our officers need to get in touch?’

‘Well, yes, but—’

‘Then we’ll be in touch if there’s any further news.’

The woman goes to walk away but Chloe taps quickly on the safety glass.

‘Please, I . . . Can I just speak to the officer I spoke with yesterday? It’s important.’

‘Do you have new information?’

‘No, I just need to know they’re doing everything they can.’

The woman rolls her eyes a little and taps something into her keyboard, then she picks up her phone to make a call.

‘He’s coming down.’

‘Thank you.’

She slopes off back to her crossword.

Chloe sits down on the benches, next to the woman clutching her handbag. The woman shuffles an inch away.

Chloe waits for twenty minutes before PC Dunn puts his head around the door.

‘Chloe? Do you want to come through?’

She follows him – too slowly it seems. He walks quickly, weaving this way and that through the corridors, through double doors – another set – and she struggles to keep up. He’s tall, well over six feet, and his straight black trousers don’t quite meet his ankles. He chooses a different interview room today and they sit down. He takes out the same tiny notepad from his top pocket and the same tiny pen.

‘I hear you have some further information for us?’

‘Well, no, I . . . I just wondered if there’s been any news?’

He sighs, shaking his head and putting the lid back on his pen. ‘Not as yet, I’m afraid, but you can rest assured we’re doing all we can.’

Chloe can’t help but think of the woman and her crossword behind the desk.

‘We did manage to speak to the social worker, what was her name . . .?’ He flicks back a few pages in his notepad as Chloe’s hands squeeze one another in her lap.

‘Claire Sanders.’