Back The Imposter Save as PDF
Chapters (55)
  1. Cover
  2. ANNA WHARTON
  3. Dedication page
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. ACKNOWLEDGEMENTS
  54. Praise
  55. THE IMPOSTER

Chloe shakes her head quickly.

‘You’re not crazy, Maureen. If anything, Patrick is the one who won’t face reality. He’s the one who isn’t at peace with the past.’

Maureen pulls at the cuff of her sleeve, twisting it round between forefinger and thumb. Chloe knows only too well that sometimes the truth can feel uncomfortable. But this is important, this is something Maureen needs to hear.

‘Patrick says that it’s too painful to look back,’ Maureen says. ‘But isn’t it normal? It’s grief, isn’t it? But I can’t even do that. I don’t even know that she’s . . . that she, you know . . .’

Chloe nods because she does know. She still remembers those hours when Nan was missing. Imagine decades spent in that no-man’s land.

Maureen starts to cry, and on cue, Chloe gets up from her chair and wraps her arms around her shoulders. She feels Maureen relax into her arms, and she knows then that’s she’s got her. She can feel it. Between the soft sound of Maureen sobbing, Chloe listens out for Patrick’s car on the drive. She hates him for doing this to Maureen, she doesn’t want him to walk in and ruin this moment for them.

Maureen pulls a tissue from her sleeve, and reaches for Chloe’s hand.

‘Thank you, Chloe, I don’t know what I would do if you weren’t here. Things have been hard with Patrick over the years. He’s a good man, but he’s not always been easy to live with. But recently – well, since you arrived, or perhaps it’s since we moved – he’s been different, he’s been . . .’

Chloe senses an opening. She sits back down opposite Maureen. Sometimes over the weeks, as she and Maureen have grown closer, it’s been easy to forget why she is here. But that one sentence reminds her that she has a job to do.

‘How has he been different?’ Chloe asks.

‘Oh, I don’t know, maybe I’m wrong—’

‘You’re not wrong, Maureen, you’ve got to stop thinking like this, you’ve got to stop letting him tell you you’re wrong or you’re crazy or . . .’

Maureen looks up at Chloe and her face softens. She reaches for her cheek, tucking a loose coil of black hair behind her ear.

‘Perhaps this does sound crazy,’ she says, ‘but I’ve often wondered what it would have been like if Angie . . . well, you know . . . and you being here, it’s answered that for me. You’re a good girl, Chloe. Your mum, she would have been proud of you.’

Chloe swallows down the mention of her mother. She doesn’t want to talk about that. She needs to hear more from Maureen.