Back The Imposter Save as PDF
Chapters (55)
  1. Cover
  2. ANNA WHARTON
  3. Dedication page
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. ACKNOWLEDGEMENTS
  54. Praise
  55. THE IMPOSTER

Chloe steps through the back door and Maureen calls to her from the lounge. She pops her head around the door. Patrick sits in his chair, his feet up on the pouffe. He doesn’t turn around.

‘Good day at work, Chloe, love?’ Maureen asks.

Chloe senses something in the air. She looks between Maureen and Patrick, his expression set, her smile that bit too wide. Somehow they appear further apart in here than usual, though they’re sitting in the same seats they always do.

‘Busy,’ Chloe says, faking a yawn.

Maureen makes to get up, and Chloe notices Patrick looking over for a split second from his chair before he returns his gaze to the TV.

‘Sit yourself down and I’ll—’ Maureen starts.

‘No, it’s OK,’ Chloe says, putting her hand up before Maureen can offer to make tea. ‘I think I’ll go upstairs and have a shower.’

Patrick turns back to the TV and increases the volume.

‘That’s it,’ Maureen says, ‘scrub the day off.’

Upstairs, Chloe tiptoes across the landing, pausing to cock her head over the bannister. She can’t hear voices, only the low hum of the evening news downstairs. The atmosphere feels the same as it did after Maureen and Patrick’s fight. Every couple argues, she thinks, before looking again at the padlock on the spare room door. She knows so much more now about how they live, though. How controlling Patrick is. At least, that’s how she sees it.

In her room she strips off her clothes and wraps a bath sheet around her naked body. She closes her door and steps out onto the landing towards the bathroom, and finds herself pausing outside Maureen and Patrick’s bedroom. Might more answers lie in there? She had always thought that it was the spare room that would hold the clues to Angie’s disappearance. But wouldn’t the real clues be found somewhere altogether more private? In any ordinary circumstance, she might feel bad for snooping around, but what if she found some clue that has been overlooked? What if her new eye on this story could actually help find Angie?