Chapters (29)
Accordingly, the fleet drew to a local stop halfway between the stellar systems of Barlbanim and Taushe and the ship dance “Glowing Nymphs Dance Ascending And Descending In The Light Of An Alien Sun” was performed.
The dance had hardly been completed when the fleet was contacted by the Culture ship Beats Working. It congratulated the fleet on a beautiful dance, perfectly executed.
Some initial consternation was caused by this as the more rapid-response elements of the fleet’s serially augmented AI+ components reacted. This was because while they were familiar with the capabilities of Culture and other Level Eight ships, they did not possess running knowledge of the likely intentions of such vessels, and assumed hostility.
Hostility was assumed due to the lack of warning before the reception of the message. Additionally, a further obvious imbalance was represented by the alien ship apparently being able to observe the fleet while the fleet had been unaware of the whereabouts of the alien ship. Stored knowledge components prevented any escalation of alarm turning into armed response even before executive oversight might have been required.
Giving due weight to earlier briefings, it was briefly contemplated that the Culture ship might have been exhibiting sarcasm when it had congratulated the fleet on its dance, and in addition certain components theorised that the ship could know nothing of what constituted a well- or a badly formed dance.
However, further analysis confirmed that, statistically, politeness was significantly more likely than sarcasm in the circumstances, and that the Culture fleets and/or individual vessels seemed to possess widely distributed knowledge and appreciation of all aspects of Ronte ship dances.
The Culture ship requested permission to approach. This was given. The fleet took as marks of respect both the fact that the request had been made and that the vessel did not approach dead-on, as though in aggressive display or outright attack, but arrived tangentially, heaving to some tens of kilometres distant from the outer elements of the fleet.
The Culture ship proved to be a tiny thing of just eighty metres in length. It did not trouble to use its outer field enclosure to mimic a larger ship, as might have been expected. Historical/Analytical components of the fleet confirmed that this was not unusual with Culture ships, and that the vessel, although small and alone and so, from first principles, obviously potential prey, could not be so regarded. This was set out in standing all-fleet orders.
The Culture ship had a humanoid crew of five. It was a Limited Contact Vessel, Scree class. Its lack of substance/volume also did not constitute any sort of insult to the Ronte, probably. Its name was not to be taken literally and was more a kind of signifier of its relaxed or “laid back” nature, a quality shared by both the Culture fleet and Culture civilisation in general.