Back The Hydrogen Sonata
Chapters (29)
  1. By Iain M. Banks
  2. Dedication
  3. Dedication
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-one
  25. Twenty-two
  26. Twenty-three
  27. Twenty-four
  28. Twenty-five
  29. About the Author

“Understand,” Cossont said. She smiled as best she could. She looked at all three of them, smiled broadly at the child, then stood slowly. “I have to go,” she said. “Best of luck.”

“Thank you,” the man said.

“You going that way?” she asked, pointing the way she had come.

The man looked wary again, just shrugged.

“If you are,” she said, “there’s a Store site in an old school; combat arbite guarding it. Shouldn’t cause you any trouble, but … just so you’re not alarmed.” She smiled once more.

The woman nodded. The child disappeared into the folds of her mother’s jacket again.

“Nice to meet you,” Cossont said.

“You too,” the man said. “Goodbye.”

“Take care,” she told them.

The woman just nodded.

Cossont turned and walked away, into the deepening shadows of the vast construction. The pale, meagre light of the fire, enhanced by her augmented eyes, lit the way for a while.

It might not even be a real child, she told herself. It might be a sophisticated toy, or one of the new artificial children they’d brought out for those who felt the need for a child’s company – little robots, basically. A screen programme she’d watched had shown one you’d have sworn was a real child, but wasn’t. Apparently they even smelled right.

Maybe such robots didn’t feel right; too heavy or too hard to the touch. Perhaps that was why they hadn’t let her hold it.

The combat arbite came alive again as she passed by. It stood again but this time kept silent and just saluted.

Cossont shook her head, flexed her shoulders and back one more time, then rotated the instrument so that it faced across the freshening wind. She took up the two bows and, with a single swift, graceful movement, sat within the instrument again, settling her backside and both feet into place, taking a deep breath and slowly letting it out as she started playing a few practice scales. Almost immediately, a small gust of wind spilled across the terrace and made the external resonating back-strings, stretched down the rear of the instrument, thrum quietly. The sound – not discordant, which with an elevenstring was always a bonus (some would say a surprise) – was muffled and quickly died away again with the departing breeze, but nevertheless drew an “Ah-ha” from her as she flexed her double set of shoulders, adjusted her grip on the two three-sided bows and prepared to play.

She’d try the second-last section of the Hydrogen Sonata; she had yet to get this right in a single pass. It was a tough part and not what she wanted to do, but she’d never get anywhere if she only did the easy stuff. The second-last section was fast and furious – even angry.

She’d think of her mother. That might help.

“I mean, look at you!”