Again the smell of the driver reached her nostrils. This time her body started to prepare to eat, her muscles growing tight for the assault, her mouth swimming in the mucus that would anesthetize her prey.

She took a long, last drag on the cigarette. If you pulled their blood into your gut with sufficient strength, your feed ended with delicious dregs.

“Be sure and get the organ juice, dear,” her mother would admonish her. “It makes for strong bones.”

Mother Lamia was hard to remember and hard to forget. When Miriam needed to fall out of love with a human, she would use her memory of what humans had done to her mother to help her along. It had come as a great surprise, the capture. When Keepers slept, their bodies reached a state near death. They were entirely helpless. So sleep was carried out in deep hiding, or—in those days—in great and protected palaces.

A man they had thought a friend had betrayed Lamia. He had been a faithful partner at cards, had been the Graf von Holbein. But it evolved that he was not a petty count but a powerful priest, and his name was not Holbein but Muenster, Father Deitrich Muenster.

Miriam had escaped across the roofs of the little town where they were living. She had not been able to take her comatose mother, nor to hide her. Miriam had expected to remove her from their prison either by bribery or by brute force.

But they had not tried her. They had not even imprisoned her. They had wasted no time. Mother Lamia had awakened already chained to her stake. She realized instantly what was happening. But all of her struggles and strength did not break the chains or topple the stake.

Mother Lamia had stood proud on the pyre they had made for her, her hair flaring sparks into the night. She had stood there for a long, long time, because Keepers could only die when their blood stopped completely.

They had laughed when she screamed, and when they realized that she was dying so unusually slowly, they were even more delighted. Mother had been burned for a witch in 1761, in a village near Dresden. She had been the most alive, the best person Miriam had ever known. She had a fabulous sense of humor. She loved to have adventures, and she loved to dance. Mother introduced Miriam to music—sackbuts, violas . . . her beloved viola da gamba. Miriam had been taught to sing, to read and speak many human languages, so many that she’d lost count. The languages of the ancient world had been works of art, Sumerian and Egyptian and Zolor, among many others. They had been supplanted by Greek, with its sublime verbs, and Latin, which was too rigidly constructed—somehow crude. English was a practical tongue. Of the modern languages, Miriam thought that French and Mandarin Chinese stood out as being the most satisfying to speak.