Back The Hornet's Nest
Chapters (67)
  1. Cover
  2. Contents
  3. Dedication
  4. Acknowledgments
  5. Principal Characters
  6. BOOK I
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. BOOK II
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. BOOK III
  39. CHAPTER 31
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. CHAPTER 51
  60. CHAPTER 52
  61. CHAPTER 53
  62. CHAPTER 54
  63. CHAPTER 55
  64. CHAPTER 56
  65. Epilogue
  66. About the Author
  67. Copyright

The fibers were dyed before carding, and Epsey shared her knowledge of the process while Mavis made notes. Except for indigo, the colors were somewhat drab, but better for normal wear than the dingy white of the natural fibers.

“We get most of our dye from walnut hulls, which give me shades of color from light tan to dark brown, depending on how long I boil it together. I can get it even darker by adding the bark from walnut roots. If I want black, I use witch-hazel tree bark. Yellow comes from the outer bark of hickory and oak, or from broomstraw. I get a clear blue from indigo, which almost everybody grows, or a lighter shade from the inner bark of maple. Red comes from madder, pokeberries, blackberries, or red clay, purple from pokeberry roots, and green from green oak leaves. When I have time, I get green by dyeing the fibers yellow first, and then blue. Then I use salt as a mordant, to set the color and make it permanent.”

Sometimes they would blend wool with flax and perhaps some cotton to make a lighter material that was still warm and durable, called linsey-woolsey. The women developed an ease with each other, even when they remained silent for long periods of time, but they also discussed their common family affairs, garden projects, the drying, smoking, or salt-curing of meats, and always the status of the baby.

Although she was only a few years younger, Mavis treated Epsey almost with the deference of a child for a parent, and Epsey was drawn to the younger woman by this attitude and by fascination with her ingenuous attitude toward life. When Epsey seemed in the mood for conversation, Mavis bubbled over with unrestrained comments and questions, particularly about Epsey’s earlier years, her marriage, childbearing, and almost every aspect of the frontier lives that they now shared. Perhaps without knowing why, Mavis refrained from mentioning the outings she sometimes shared with the two men.

Epsey enjoyed answering the questions and, on occasion, even asked a few herself.

“Why do you always wear lace around your bonnet, even out here in the backwoods?”

Mavis laughed. “I get a lot of comments or strange looks about my bonnets.

“I was twelve years old when both my parents died with typhus fever, and I was taken in by my father’s cousin, who was a widow. She was good to me, but had very little, even for her own three children. She made lace for one of the shops in Philadelphia, and taught me to tat.