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Chapters (61)
  1. Dedication
  2. ACKNOWLEDGMENTS
  3. CHAPTER
  4. CHAPTER
  5. CHAPTER
  6. CHAPTER
  7. CHAPTER
  8. CHAPTER
  9. CHAPTER
  10. CHAPTER
  11. CHAPTER
  12. CHAPTER
  13. CHAPTER
  14. CHAPTER
  15. CHAPTER
  16. CHAPTER
  17. CHAPTER
  18. CHAPTER
  19. CHAPTER
  20. CHAPTER
  21. CHAPTER
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  23. CHAPTER
  24. CHAPTER
  25. CHAPTER
  26. CHAPTER
  27. CHAPTER
  28. CHAPTER
  29. CHAPTER
  30. CHAPTER
  31. CHAPTER
  32. CHAPTER
  33. CHAPTER
  34. CHAPTER
  35. CHAPTER
  36. CHAPTER
  37. CHAPTER
  38. CHAPTER
  39. CHAPTER
  40. CHAPTER
  41. CHAPTER
  42. CHAPTER
  43. CHAPTER
  44. CHAPTER
  45. CHAPTER
  46. CHAPTER
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  48. CHAPTER
  49. CHAPTER
  50. CHAPTER
  51. CHAPTER
  52. CHAPTER
  53. CHAPTER
  54. CHAPTER
  55. CHAPTER
  56. CHAPTER
  57. EPILOGUE
  58. AUTHOR’S NOTE
  59. EPIGRAPHS AND SOURCES FOR FURTHER RESEARCH
  60. Also available by Melanie Golding
  61. AUTHOR BIOGRAPHY

He’s close enough now that they will see him the moment they turn to look. He hovers in the shadows, waiting to see what will happen, whether he’ll be welcomed, if it is that sort of a party. There are twelve or thirteen of them around the fire. None of them immediately turn in his direction, and he thinks about clearing his throat to draw their attention, but he does not. He’s content, for the moment, to watch without being observed himself. A young woman is playing a hand drum that hangs from a strap over her shoulder, and next to her a young man sits on a crate that he hits with a stick on the offbeats. Three girls dance, and the remainder, young men and women both, are around and about, talking, leaning on each other, making patterns in the beach with sticks and pebbles.

And that is when he sees her. Her hair is braided into ropes, her skin patched with sand. The curve of her arm is perfect, how the muscles move, and the collarbone, dipped in shadow, scooping up to an exquisite jawline.

Beautiful creature, he thinks. And a second later, How different from me. She won’t want me. Not at first, anyway. But then she will. They always do eventually.

From where she crouches, drawing with a driftwood pencil in the packed sand at her feet, she raises her eyes to his, and there is something between them, as quick as that. He feels the vibrations of it, and he sees it in her eyes too, like a chime bar striking the same note within them both.

You’re mine, he thinks, but her eyes dart away, to the old woman he hasn’t noticed, seated on a crate behind the drummers. The young woman’s eyes dart back to meet his, a look of panic. Slowly the older one stands, a big woman, wide and square, and the drums falter, then stop. The old one’s face is closed up hard, a warning. Gregor sees this, but he can’t take his eyes from the younger one for long. She’s twitchy, like a woodland creature caught in a beam of electric light. What’s she so scared of? he wonders.

Gregor walks forward into the circle of firelight. He shrugs and smiles, friendly, unthreatening. “Hi,” he says.

“Can I help you?” says the big woman, her voice deep and resonant. Even as she says it, she seems to relax slightly. It’s the smile he is wearing. It melts people.

“I was just passing,” says Gregor. “Looks like a party.”