Contents ( 80)
- Praise for Joe Abercrombie:
- Also by Joe Abercrombie from Gollancz:
- Contents
- Order of Battle
- The Times
- The Peacemaker
- The Best of Us
- Black Dow
- What War?
- Old Hands
- New Hands
- Reachey
- The Right Thing
- Silence
- Ambition
- Give and Take
- The Very Model
- Scale
- Ours Not to Reason Why
- Cry Havoc and …
- Devoutly to be Wished
- Casualties
- The Better Part of Valour
- Paths of Glory
- The Day’s Work
- The Defeated
- Fair Treatment
- Tactics
- Rest and Recreation
- Dawn
- Opening Remarks
- The Infernal Contraptions
- Reasoned Debate
- Chains of Command
- Closing Arguments
- Straight Edge
- Escape
- The Bridge
- Strange Bedfellows
- Hearts and Minds
- Good Deeds
- One Day More
- Bones
- The King’s Last Hero
- My Land
- The Standard Issue
- Shadows
- Under the Wing
- Names
- Still Yesterday
- For What We Are About to Receive …
- The Riddle of the Ground
- Onwards and Upwards
- More Tricks
- The Tyranny of Distance
- Blood
- Pointed Metal
- Peace in Our Time
- The Moment of Truth
- Spoils
- Desperate Measures
- Stuff Happens
- End of the Road
- By the Sword
- The Currents of History
- Terms
- Family
- New Hands
- Old Hands
- Everyone Serves
- Just Deserts
- Black Calder
- Retired
- Acknowledgements
- Copyright
Like Whirrun had said – you can’t live more’n that. Certainly not by fixing a chair.
‘Ah, shit,’ he muttered, and he grabbed his sword-belt and his coat, threw ’em over his shoulder and strode out, slapping the door shut. Didn’t even bother to lock it behind him.
‘Hardbread! Wait up!’
Acknowledgements
As always, four people without whom:
Bren Abercrombie, whose eyes are sore from reading it.
Nick Abercrombie, whose ears are sore from hearing about it.
Rob Abercrombie, whose fingers are sore from turning the pages.
Lou Abercrombie, whose arms are sore from holding me up.
Then, my heartfelt thanks:
To all the lovely and talented folks at my UK Publisher, Gollancz, and their parent Orion, particularly Simon Spanton, Jo Fletcher, Jon Weir, Mark Stay and Jon Wood. Then, of course, all those who’ve helped make, publish, publicise, translate and above all sell my books wherever they may be around the world.
To the artists responsible for somehow making me look classy: Didier Graffet, Dave Senior and Laura Brett.
To editors across the Pond: Devi Pillai and Lou Anders.
To other hard-bitten professionals who’ve provided various mysterious services: Robert Kirby, Darren Turpin, Matthew Amos, Lionel Bolton.
To all the writers whose paths have crossed mine either electronically or in the actual flesh, and who’ve provided help, laughs and a few ideas worth stealing, including but by no means limited to: James Barclay, Mark Billingham, Peter V. Brett, Stephen Deas, Roger Levy, Tom Lloyd, Joe Mallozzi, George R. R. Martin, John Meaney, Richard Morgan, Mark Charan Newton, Garth Nix, Adam Roberts, Pat Rothfuss, Marcus Sakey, Wim Stolk and Chris Wooding.
And lastly, yet firstly:
She who wields the Father of Red Pens, which cannot be drawn without being blooded, a fearless champion on the battlefield of publishing, my editor, Gillian Redfearn. I mean, someone’s got to do the actual fighting …
Copyright
A Gollancz eBook
Copyright © Joe Abercrombie 2011
Axe illustration © Didier Graffet/Bragelonne 2010
Map © Dave Senior 2010
All rights reserved
The right of Joe Abercrombie to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
First published in Great Britain in 2011
by Gollancz
The Orion Publishing Group Ltd
Orion House
5 Upper St Martin’s Lane
London WC2H 9EA
An Hachette UK Company
This eBook first published in 2010 by Gollancz.
A CIP catalogue record for this book
is available from the British Library.
ISBN 978 0 575 08875 7
This eBook produced by Jouve, France
All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.