Even a sports editor, for instance, might notice something wrong with a lead that said: “The precision-jackhammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jackthrust after another up the middle, mixed with pinpoint precision passes into the flat and numerous hammer-jack stomps around both ends. . .”

Right. And there was the genius of Grantland Rice. He carried a pocket thesaurus, so that “The thundering hoofbeats of the Four Horsemen” never echoed more than once in the same paragraph, and the “Granite-grey sky” in his lead was a “cold dark dusk” in the last lonely line of his heart-rending, nerve-ripping stories. . .

There was a time, about ten years ago, when I could write like Grantland Rice. Not necessarily because I believed all that sporty bullshit, but because sportswriting was the only thing I could do that anybody was willing to pay for. And none of the people I wrote about seemed to give a hoot in hell what kind of lunatic gibberish I wrote about them, just as long as it moved. They wanted Action, Color, Speed, Violence. . . At one point, in Florida, I was writing variations on the same demented themes for three competing papers at the same time, under three different names. I was a sports columnist for one paper in the morning, sports editor for another in the afternoon, and at night I worked for a pro wrestling promoter, writing incredibly twisted “press releases” that I would plant, the next day, in both papers.

It was a wonderful gig, in retrospect, and at times I wish I could go back to it -- just punch a big hatpin through my frontal lobes and maybe regain that happy lost innocence that enabled me to write, without the slightest twinge of conscience, things like: “The entire Fort Walton Beach police force is gripped in a state of fear this week; all leaves have been cancelled and Chief Bloor is said to be drilling his men for an Emergency Alert situation on Friday and Saturday night -- because those are the nights when 'Kazika, The Mad Jap,' a 440-pound sadist from the vile slums of Hiroshima, is scheduled to make his first -- and no doubt his last -- appearance in Fish-head Auditorium. Local wrestling impresario Lionel Olay is known to have spoken privately with Chief Bloor, urging him to have 'every available officer' on duty at ringside this weekend, because of the Mad Jap's legendary temper and his invariably savage reaction to racial insults. Last week, in Detroit, Kazika ran amok and tore the spleens out of three ringside spectators, one of whom allegedly called him a 'yellow devil.' ”

“Kazika,” as I recall, was a big half-bright Cuban who once played third-string tackle for Florida State University in Tallahassee, about 100 miles away -- but on the fish-head circuit he had no trouble passing for a dangerous Jap strangler, and I soon learned that pro wrestling fans don't give a fuck anyway.