Chapters (47)
- Cover
- Dedication
- Epigraph
- Part I
- Lulu
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Part II
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Part III
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Elfriede
- Part IV
- Lulu
- Lulu
- Elfriede
- War Office, London
- Lulu
- Elfriede
- Lulu
- Lulu
- Lulu
- Part V
- Lulu
- Part VI
- Ursula
- Lulu
- Elfriede
- EpilogueLulu
- Historical Note
- Acknowledgments
- About the Author
- Also by Beatriz Williams
- About the Publisher
Judging from the proportion of man to chair, he seems to be on the tall side, if slender. Of course, Elfriede’s husband is a giant, two meters tall and almost as broad, so most men look slender in comparison. Also, this fellow’s been sick, and he’s wearing those loose blue infirmary pajamas. His hair’s been shaved, and the remaining stubble is ginger, which catches a little sun and glints. Elfriede creeps closer. The brief, vibrant season of alpine wildflowers has arrived, and the meadow’s packed with their reds and oranges and violets, their sticky sage scent, clinging to Elfriede’s dress as she slides through the grass. She just wants to see his face, that’s all. Wants to know what an Englishman looks like. In her entire sheltered life, living in the country, small villages, Berlin once to shop for her trousseau, Frankfurt and Zurich glimpsed through the window of a train, she’s never met one.
Closer and closer she creeps, and still his face evades her. They’re pointed the same direction, toward the sun, and Elfriede sees only his profile, his closed left eye. He must be asleep, recovering from his illness. His color’s good, pale but not ghostly, no sign of fever, a few freckles sprinkled across the bridge of his nose. His left hand, lying upon the gray wool blanket, is long-fingered and elegant; the right hand remains out of view.
Elfriede stretches out her leg to slide a few centimeters closer, and without opening his eyes, the Englishman speaks, clear and just loud enough. “You might as well come on over here and introduce yourself.”
“Oh! I didn’t—”
“Yes, you did.” Now he opens his eyes and turns his head to face her, squinting a little and smiling a broad, electric smile that will come, in the fullness of time, to dominate her imagination, her consciousness and her unconsciousness, her blood and bones and hair and breath. “My God,” he says, in a more subdued voice, almost inaudible over the distance between them, “you’re beautiful, aren’t you?”
“Yes.”
“What are you doing here? You don’t look sick.” He glances cheerfully at her midsection. “Not up the duff, are you?”
He says those words—up the duff—in English, and Elfriede doesn’t understand them, so she just shakes her head. “A nervous disorder,” she calls back.
“You don’t look nervous.” He smiles at her confusion. “Never mind. I was only joking. I’m the family jester, I can’t help it. My name’s Thorpe. Wilfred Thorpe. I’d offer my hand, but I’m supposed to be keeping my germs to myself, at the present time.”
“Herr Thorpe. I’m Frau von Kleist.”
“Frau, is it? You look awfully young to be married.”
She hesitates. “I’m twenty-two.”
“As old as that?”
“And I have a little boy as well,” Elfriede adds, for no reason at all.