Back The Golden Hour
Chapters (47)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Part I
  5. Lulu
  6. Lulu
  7. Elfriede
  8. Lulu
  9. Elfriede
  10. Lulu
  11. Elfriede
  12. Lulu
  13. Part II
  14. Lulu
  15. Elfriede
  16. Lulu
  17. Elfriede
  18. Lulu
  19. Part III
  20. Lulu
  21. Elfriede
  22. Lulu
  23. Elfriede
  24. Lulu
  25. Elfriede
  26. Part IV
  27. Lulu
  28. Lulu
  29. Elfriede
  30. War Office, London
  31. Lulu
  32. Elfriede
  33. Lulu
  34. Lulu
  35. Lulu
  36. Part V
  37. Lulu
  38. Part VI
  39. Ursula
  40. Lulu
  41. Elfriede
  42. EpilogueLulu
  43. Historical Note
  44. Acknowledgments
  45. About the Author
  46. Also by Beatriz Williams
  47. About the Publisher

Judging from the proportion of man to chair, he seems to be on the tall side, if slender. Of course, Elfriede’s husband is a giant, two meters tall and almost as broad, so most men look slender in comparison. Also, this fellow’s been sick, and he’s wearing those loose blue infirmary pajamas. His hair’s been shaved, and the remaining stubble is ginger, which catches a little sun and glints. Elfriede creeps closer. The brief, vibrant season of alpine wildflowers has arrived, and the meadow’s packed with their reds and oranges and violets, their sticky sage scent, clinging to Elfriede’s dress as she slides through the grass. She just wants to see his face, that’s all. Wants to know what an Englishman looks like. In her entire sheltered life, living in the country, small villages, Berlin once to shop for her trousseau, Frankfurt and Zurich glimpsed through the window of a train, she’s never met one.

Closer and closer she creeps, and still his face evades her. They’re pointed the same direction, toward the sun, and Elfriede sees only his profile, his closed left eye. He must be asleep, recovering from his illness. His color’s good, pale but not ghostly, no sign of fever, a few freckles sprinkled across the bridge of his nose. His left hand, lying upon the gray wool blanket, is long-fingered and elegant; the right hand remains out of view.

Elfriede stretches out her leg to slide a few centimeters closer, and without opening his eyes, the Englishman speaks, clear and just loud enough. “You might as well come on over here and introduce yourself.”

“Oh! I didn’t—”

“Yes, you did.” Now he opens his eyes and turns his head to face her, squinting a little and smiling a broad, electric smile that will come, in the fullness of time, to dominate her imagination, her consciousness and her unconsciousness, her blood and bones and hair and breath. “My God,” he says, in a more subdued voice, almost inaudible over the distance between them, “you’re beautiful, aren’t you?”

“Yes.”

“What are you doing here? You don’t look sick.” He glances cheerfully at her midsection. “Not up the duff, are you?”

He says those words—up the duff—in English, and Elfriede doesn’t understand them, so she just shakes her head. “A nervous disorder,” she calls back.

“You don’t look nervous.” He smiles at her confusion. “Never mind. I was only joking. I’m the family jester, I can’t help it. My name’s Thorpe. Wilfred Thorpe. I’d offer my hand, but I’m supposed to be keeping my germs to myself, at the present time.”

“Herr Thorpe. I’m Frau von Kleist.”

“Frau, is it? You look awfully young to be married.”

She hesitates. “I’m twenty-two.”

“As old as that?”

“And I have a little boy as well,” Elfriede adds, for no reason at all.