Chapters (47)
- Cover
- Dedication
- Epigraph
- Part I
- Lulu
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Part II
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Part III
- Lulu
- Elfriede
- Lulu
- Elfriede
- Lulu
- Elfriede
- Part IV
- Lulu
- Lulu
- Elfriede
- War Office, London
- Lulu
- Elfriede
- Lulu
- Lulu
- Lulu
- Part V
- Lulu
- Part VI
- Ursula
- Lulu
- Elfriede
- EpilogueLulu
- Historical Note
- Acknowledgments
- About the Author
- Also by Beatriz Williams
- About the Publisher
The clerk’s gaze flicks to the window, and then to the clock above the mantel behind me. He steps away from the reception desk and goes to pull down the blackout shades, to close the heavy chintz curtains. His limbs are frail and stiff; his suit was tailored in maybe the previous century. When he moves, his white hair flies away from his skull, and I catch a whiff of cologne that reminds me of a barbershop. I consider whether I should rise and help him. I consider whether he’d kill me for it.
Well. Not kill me exactly, not the literal act of murder. It seems the killing of people has got inside my head somehow. War will do that. War will turn killing into a commonplace act, a thing men do to each other every day, every instant, for no particular reason except not to be killed yourself, so that you start to expect it everywhere, murder hangs darkly over you and around you like an atmosphere. The valley of the shadow of death, that’s war. Killing for no particular reason. At least in regular life, when somebody kills somebody else, he generally has a damned good reason, at least so far as the killer’s concerned. It’s personal, it’s singular. As I observe the feathery movement of the clerk’s hair in the draft, I wonder how much reason a fellow like that needed to kill someone. We all have our breaking points, you know.
A bell jingles. The front door opens. A blast of chill air whooshes inside, along with a pale woman in a worn coat and a brown fedora, almost like a man’s. She brushes the damp from her sleeves and looks around, spies the clerk, who’s just crossing the foyer on his way back to the desk.
“I beg your pardon, my good man,” she begins, in a brisk, quiet English voice, and the light from the lamp catches her hair, caught up in a blond knot just beneath the brim of her hat. She’s not wearing cosmetics, except maybe a touch of lipstick, and you might say she doesn’t need any. There’s something Nordic about her, something that doesn’t need ornament. Height and blondness, all those things my own Italian mother couldn’t give me, though she gave me plenty else. There’s also something familiar about her. I’ve seen that mouth before, haven’t I? Those straight, thick eyebrows soaring above a pair of blue eyes.