Back The Game
Chapters (41)
  1. Cover Page
  2. Title Page
  3. Contents
  4. Dedication
  5. Map of British Colonial India
  6. Preface
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Author’s Thanks
  38. About the Author
  39. Other Mystery Novels by Laurie R. King
  40. Copyright Page
  41. eBook Info

My eyes had adjusted sufficiently to trust myself not to bump into something, so I pressed on into the room. Scattered across the floor, looking as if they had been unloaded there rather than arranged, were display cases, some of which contained larger machines such as those in fun fairs near the sea. As I threaded my way across the room I saw at least six fortune-tellers, two of them old gipsy women, the others turbanned swamis, all set to different coinages. In two machines, the customer’s coin seemed to produce nothing more thrilling than a circuit of a train through a painted landscape, with a duck-laced pond here, a mountain tunnel there. No doubt the whistle blew several times during the circuit.

Behind the smaller display cases rose four enormous constructions of mahogany and plate glass, their contents more diorama than mechanism. At first the figures within appeared to be dolls about six inches in height, but on closer examination, underneath their costumes they proved to be specimens of taxidermy art. Most of the creatures were furry, blunt-faced rodents with no tails to speak of and short ears—a variety of guinea pig, perhaps. One case held perhaps thirty of the things, posed on their hind legs and dressed for a formal ball, half of them in white tie, the others wearing silk or velvet, with diamonds on their hairy throats and diminutive champagne glasses clasped in their upraised paws. The second case represented, I assumed, a box at the Ascot races: A dozen of the creatures clutched tiny binoculars and wore elaborate spring hats. The third was a night-club, with dancers on a stage, their furry bodies graced with strips of costume and feathers perkily jutting from their heads. The fourth case held eight infant piglets, of the pale domesticated kind, gathered in a Victorian conservatory around a laden tea table; something about their attitudes made it seem a cruel parody of society at the time—English society, that is.

As elaborate pieces of humour, they were most emphatically not to my taste. I thought it more than a little perverse, in fact, to raise a hundred small creatures just for the purpose of being transformed into facsimile human beings.