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Contents ( 59)
  1. Prologue
  2. Amy Robsart, Cumnor Village
  3. 1
  4. Lizzie: Amelia and Dudley’s Wedding, 2010
  5. 2
  6. Amy: Stanfield Manor, Norfolk, August 1549
  7. 3
  8. Lizzie: Present Day
  9. 4
  10. Amy: Stansfield Manor, Norfolk, April 1550
  11. 5
  12. Lizzie: Present Day
  13. 6
  14. Amy: Sheen Palace, June 1550
  15. 7
  16. Lizzie: Present Day
  17. 8
  18. Amy: Castle Rising, Norfolk, Summer 1551
  19. 9
  20. Lizzie: Present Day
  21. 10
  22. Amy: Whitehall Palace, Summer 1552
  23. 11
  24. Lizzie: Present Day
  25. 12
  26. Amy: The Tower of London, March 1554
  27. 13
  28. Lizzie: Present Day
  29. 14
  30. Amy: Baynard’s Castle, London, Spring 1557
  31. 15
  32. Lizzie: Present Day
  33. 16
  34. Amy: Hatfield, Hertfordshire, Summer 1557
  35. 17
  36. Lizzie: Present Day
  37. 18
  38. Amy: Throcking Manor, November 1558
  39. 19
  40. Lizzie: Present Day
  41. 20
  42. Amy: Melford Hall, Suffolk, May 1559
  43. 21
  44. Lizzie: Present Day
  45. 22
  46. Amy: Cumnor Place, Oxfordshire, April 1560
  47. 23
  48. Lizzie: Present Day
  49. 24
  50. Amy: Cumnor Place, 8th September 1560
  51. 25
  52. Lizzie: Present Day
  53. 26
  54. Lizzie: Present Day
  55. 27
  56. Lizzie: Present Day
  57. Epilogue
  58. Amy Robsart, The Citrine Pool
  59. Acknowledgements

Lizzie shook her head. “You sound a lot more comfortable with all this stuff than I am,” she said. “But seriously, I don’t really like feeling different, so I tend to push it aside and try to ignore it. It’s a bit of a guilty secret. Or it was,” she amended, “before Arthur and I had our moment. Now I guess it’s not secret anymore.”

Johnny was smiling too. “Don’t worry about Arthur,” he said. “He’s totally fascinated by you even if he’d like to deny it.” He stretched. “Besides, there’s no need to be uncomfortable about supernatural stuff. It’s a bit weird but then so is dark matter or string theory or whatever.”

“I suppose,” Lizzie said, wondering what string theory was. “How did you get to be so wise so young?” she added.

“I must have been born that way.” Johnny shrugged, looking a little uncomfortable. “Anyway, I’m weird too. Millie and I were psychic.”

“You and Amelia had a psychic connection?” Lizzie felt surprised then wondered why she would be. Perhaps it was because Amelia’s interest in the supernatural had always seemed fake. But then, she supposed she had rather unfairly dismissed Amelia as fake in every respect. She should try to be less judgemental, especially since she hated people judging her.

“Yeah,” Johnny said. “Millie and I had a gift. We could talk to each other in our heads. We’d always done it, right from as early as I can remember.” He shifted in his seat, clasping his hands together around the mug of chocolate. “Mum was totally into paranormal stuff so it never seemed strange to me, just natural, you know?”

Lizzie didn’t really know. Her experience had been very different, hiding her gift of psychometry from her father, from Kat, especially from Bill, who would probably have tried to turn her into a stage psychic if he had known about it. She had pushed it aside and kept it as a secret thing; she had been confused and almost ashamed of something that seemed so bizarre. She was already different; the child from the outrageously dysfunctional family. She didn’t want anything else marking her out.

“It was just Millie and me, though,” Johnny went on. “The other sibs couldn’t do it—Anna and Arthur, I mean. Millie and I were the only ones who could read each other’s minds. Anna was really cross that she wasn’t telepathic too.” He was hunched forward now and the line of his shoulders was thin and tense. “I guess that was why Millie and I were the closest,” he said, “although I love Arthur dearly. He’s the best.” He said it quite unselfconsciously and Lizzie’s heart clenched.

He loves you too, she thought, but she didn’t say.

“Shall we go through into the other room?” she asked. “It’s more comfortable there.”

Johnny got up and followed her through to the living room. Like most people he was drawn to the huge floor-to-ceiling windows like a moth to a flame. It was night outside now and the pinprick lights of London together made a tapestry of dazzling hues.