Back The Forest of Wool and Steel Save as PDF
Chapters (30)
  1. Cover
  2. About the Authors
  3. I
  4. Enter the Forest
  5. Sisters Are Cool
  6. Tuning Is Like Cheese
  7. Nothing a Hammer Can’t Fix
  8. Good Sheep Make for a Good Sound
  9. Kazune Is Extraordinary
  10. II
  11. Close Your Eyes and Decide
  12. Make Your Craft Invisible
  13. It Needs to Sound Lively
  14. Achieve a Sense of Harmony
  15. III
  16. Stick with the Menu
  17. Don’t Give Everyone a Harley
  18. Some of Us Are Blessed
  19. Even Pianos Deserve Second Chances
  20. Music Is No Competition
  21. One of Them Is Frozen
  22. IV
  23. Surrender Yourself to the Wind
  24. Many Routes through the Forest
  25. Tune for the Individual
  26. It Only Takes Ten Thousand
  27. The Answer Is in the Stars
  28. V
  29. Greatness = Perseverance + Resignation
  30. A True Master Is Forever a Pupil

I was caught at another traffic light. I pulled on the handbrake and turned to get a proper look. A small box had fallen under the seat. Mr Yanagi must have dropped it. If he’d dropped the ring he was due to offer his girlfriend, what was he doing now without it? I wondered. I was worried, but cannot deny I was also a little grateful to Mr Yanagi. Yuni had been a little tense ever since she had first spotted me, but now, thanks to the ring, she seemed happy and relaxed. I reached down, retrieved the box and placed it on the dashboard. The dark red ribbon was reflected in the windscreen like a flower.

Yuni’s house was close by.

‘I’m back!’ she called as we entered. ‘And I brought the tuner with me!’

Kazune appeared from the back room. ‘Great! I thought I wasn’t going to be able to play the piano today. It was agony! I was beginning to wonder how I was going to sleep tonight.’

‘Right,’ I said, although ‘agony’ felt a little disproportionate here.

I stepped across the carpet to the piano and opened up the lid. Testing the keys from one end to the other, one very noticeably became stuck.

‘Ah, here’s your problem,’ I said, my nose inches away from the strings inside.

‘Can you fix it? You can fix it, can’t you?’ said the twins in unison, a little desperately.

I was happy to reassure them.

The flange that connected the hammer and the key had seized up. A slight adjustment and it would be back to normal.

‘At this time of year you have to be careful of the humidity,’ I commented.

Pianos are precise instruments made of wood. All piano tuners have it drummed into their heads to notice humidity levels, particularly in autumn and winter. If the humidity level gets too high, the wood expands. Screws loosen. Steel rusts. The tone will slip. Things are different here in Hokkaido. Humidity will still alter the sound of a piano, but what we have to be more careful of in autumn and winter is dryness. Low humidity, in other words.

‘Thank you so much,’ the twins said.

I pressed the key to test it, and the hammer lifted naturally. It was a simple fix.

‘Could we try playing it?’ Yuni asked.

‘Of course.’

Yuni took her place in front of the piano. Kazune sat beside her on the other stool. Within moments they had launched into a duet.