Back The Forest of Hands and Teeth Save as PDF
Contents ( 3)
  1. Carrie Ryan
  2. ACKNOWLEDGMENTS
  3. ABOUT THE AUTHOR

Harry grabs my arm and pulls me back. “We should stay here,” he says. “It's safer. What if the fences are breached? We need to find a platform.” I can see the terror closing in on the irises of his eyes. His fingers dig into my wrist, almost clawing at me but I keep pulling away, pushing at his hands and body until I am free.

I scrabble up the hill toward the center of our village, ignoring the winding path and choosing instead to grab at branches and vines to help me up the steep slope. As I crest the ridge I look back to see Harry still down by the water's edge, his hands up in front of his face as if he cannot bear to see what is happening above. I see his mouth move, as if he's calling out to me, but all I can hear is the siren—the sound of it burns into my ears and echoes around me.

All my life I have trained by that siren. Before I could walk I knew the siren meant death. It meant somehow the fences had been breached and the Unconsecrated were shuffling among us. It meant grab weapons, move to the platforms and pull up the ladders—even if it necessitated leaving the living behind.

Growing up, my mother used to tell me about how in the beginning, when her own great-great-great-grandmother was a child, that siren would wail almost constantly as the village was bombarded with the Unconsecrated. But then the fences had been fortified, the Guardians had formed and time had passed with the Unconsecrated dwindling to the point that I couldn't remember a time in the past few years when that siren had wailed and it had not been a drill. I know that in my life there have been breaches but I also know that I am very good at blocking out the memories that serve me no purpose. I can fear the Unconsecrated well enough without them.

The closer I get to the edge of the village the more slowly I move. Already I can see that the platforms cradled in the trees are full; some have even pulled their ladders up. All around me is chaos. Mothers dragging children, the implements of everyday life scattered in the dirt and grass.

And then the sirens cut out, there is silence and everyone freezes. A baby resumes its wailing, a cloud passes over the sun. And I see a small group of Guardians dragging someone toward the Cathedral.

“Mother,” I whisper, everything inside of me falling at once. Because somehow I just know. I know that I shouldn't have lingered at the stream with Harry, that I shouldn't have let him hold my hand while my mother was waiting for me to accompany her to the fence.

My back is ramrod straight as I walk toward the entrance to the Cathedral, an old stone building built well before the Return. Its thick wooden door is open and my neighbors step aside as they see me draw near but no one will look me in the eyes. At the edge of the crowd I hear someone murmur, “She was too close to the fence, she allowed one to grab her.” Inside it feels as though the stone walls drain the heat of the day and the hairs on my arms stand on end. The light is dim and I see the Sisters surrounding a woman who is keening and moaning but not Unconsecrated. My mother knew to never get too close to the fences—to the Unconsecrated. Too many in our village have been lost that way. It had to have been my father she saw at the edge of the fence line and I close my eyes as the once-dampened pain of losing him slashes through my body again.