The Amyrlin’s study sat only a few levels up in the White Tower, yet this room was the heart of the Tower as surely as the Tower itself, the color of bleached bone, was the heart of the great island city of Tar Valon, cradled in the River Erinin. And Tar Valon was, or should be, the heart of the world. The room spoke of the power wielded by the long line of women who had occupied it, floor of polished redstone from the Mountains of Mist, tall fireplace of golden Kandori marble, walls paneled in pale, oddly striped wood marvelously carved with unknown birds and beasts more than a thousand years ago. Stone like glittering pearls framed the tall, arched windows that let onto the balcony overlooking the Amyrlin’s private garden, the only stone like it known, salvaged from a nameless city swallowed by the Sea of Storms during the Breaking of the World. A room of power, a reflection of Amyrlins who had made thrones dance to their calling for nearly three thousand years. And they did not even ask her opinion.

It happened too often, this slighting. Worst—most bitter of all, perhaps—they usurped her authority without even thinking of it. They knew how she had come to the stole, knew their aid had put it on her shoulders. She herself had been too much aware of that. But they presumed too far. It would soon be time to do something about that. But not quite yet.

She had put her own stamp on the room, as much as possible, with a writing table ornately carved in triple-linked rings and a heavy chair that raised an inlaid ivory Flame of Tar Valon above her dark hair like a large snowy teardrop. Three boxes of Altaran lacquerwork were arranged on the table, precisely equidistant from each other; one held the finest of her collection of carved miniatures. A white vase on a simple plinth against one wall held red roses that filled the room with sweet fragrance. There had been no rain since she was raised, but fine blossoms were always available with the Power; she had always liked flowers. They could be so easily pruned and trained to produce beauty.

Two paintings hung where, seated, she could see them merely by lifting her head. The others avoided looking at them; among all the Aes Sedai who came to Elaida’s study, only Alviarin ever so much as glanced at them.