Chapters (96)
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
It did actually. No matter how much you plan what’s going to happen, when you start writing the book always takes on a life of its own. You might roughly know what’s going to happen at the beginning and the end, but you don’t know how you’re going to get there. For instance, when I started, I didn’t really know which of the kids were going to live or die. And I’d originally planned for there to be a lot more about the gang war between the two groups of children – the kids in Morrisons and the kids in Waitrose – but when I started writing I found that I wanted to move the book past that point and focus on their battle with the adults instead.
DO YOU FIND IT EASY TO KILL OFF CHARACTERS?
Yes and no. If you’ve decided early on that a certain character has got to go, you start to distance yourself from them. But there were other characters that I’d thought I was going to kill off, and then realized I’d become too attached and couldn’t do it. But even when you’ve decided that you’re going to get rid of someone halfway through and you manage to go through with it, you need to look back and make sure they’ve been given enough of a presence before that point to really make their death hit home. And that can sometimes be a bit painful. When I was doing events for Young Bond, kids would often say they really enjoyed the books but that they always knew that James was going to be all right, because he grows up to be James Bond. So with The Enemy, I wanted to make it clear from the start that no one was safe.
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