Contents (51)
- Dedication
- Epigraph
- Prologue
- Evangeline
- St. John’s Wood, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Mathinna
- Flinders Island, Australia, 1840
- The Tasman Sea, 1840
- Hobart Town, Van Diemen’s Land, Australia, 1840
- Evangeline
- The Port of London, 1840
- Medea, The Port of London, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Mathinna
- Government House, Hobart Town, 1840
- Government House, Hobart Town, 1840–1841
- Government House, Hobart Town, 1841
- Hazel
- Medea, 1840
- Hobart Town, 1840
- Hobart Town, 1840
- The Cascades, 1840–1841
- Hobart Town, 1841
- Mathinna
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841–1842
- Government House, Hobart Town, 1842
- Hazel
- Hobart Town, Van Diemen’s Land, 1842
- The Cascades, 1842
- Hobart Town, 1842
- Hobart Town, 1843
- Hobart Town, 1843
- Hobart Town, 1843
- Ruby
- St. John’s Wood, London, 1868
- Acknowledgments
- About the Author
- Novels by Christina Baker Kline
- Copyright
- About the Publisher
One foggy morning, scrubbing the deck on her hands and knees, Evangeline heard voices from across the water. She stood and went to the railing. It had rained through the night; the water was the same dull hue as the sky and the air smelled of rotting fish. Shielding her eyes with her hand, she could barely make out the skiff leaving the dock. As it got closer, she could see Buck and another sailor in the middle seats, flanked by four women huddled like pigeons against the damp.
The skiff bumped against the ship and the women were unloaded. One by one they plodded up the ramp, their chains clinking. The first, plump and disheveled, appeared to be in her thirties. The next two were close to Evangeline’s age. The final girl was much younger. She was ghostly pale, with unruly copper hair gathered in a loose bun against her neck—the only spot of color in the drab scene. Looking neither at Buck nor at the small crowd lining the railing above, she stared resolutely ahead, stepping carefully in her chains like a dancer to avoid the thick treads. She wore boys’ breeches, tied with a cloth belt, and was as fine-boned as a sparrow.
Buck, walking close behind her, thwacked the girl’s backside with his palm. She stumbled forward, barely catching her footing. “No dallyin’,” he said, kissing his fingers and winking at the men above, who whistled and clapped.
The girl stopped. He came up short, bumping into her.
She turned slowly to face him, her chin thrust forward. Evangeline couldn’t see her face or hear her words, but she watched Buck’s smug leer vanish.
As the girl turned back around and continued up the ramp, Buck’s expression changed again, from blank consternation to anger. Gripping the railing, Evangeline called, “Watch out!” but her voice was swallowed in the tumult.
When the girl reached the deck, Buck shoved her hard, and, tripping on her chains, she sprawled forward. She couldn’t raise her arms to protect her face, but at the last second she twisted to the side, closing her eyes as she fell with a sickening thud.
Someone gasped. The hooting stopped. The girl lay still. Evangeline watched Olive push through the sailors and prisoners gathered around the prone body, and, kneeling, lift the girl to a sitting position, one arm around her shoulders. One side of her head was matted with blood, deep red, staining her curls and running down her neck.
Buck jumped lightly onto the deck. “Such a clumsy one,” he said, nudging the girl’s leg irons with his foot.
A few sailors laughed.
The girl’s eyelids fluttered. With an arm around her back, Olive helped her to her feet. Evangeline could see the knobs of her backbone beneath her thin blouse and a small crescent moon tattooed in blue and black on her neck. She was quivering like an aspen. Olive’s dress was smeared with blood.
“What happened here?” the surgeon asked, coming toward them.