Contents (51)
- Dedication
- Epigraph
- Prologue
- Evangeline
- St. John’s Wood, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Mathinna
- Flinders Island, Australia, 1840
- The Tasman Sea, 1840
- Hobart Town, Van Diemen’s Land, Australia, 1840
- Evangeline
- The Port of London, 1840
- Medea, The Port of London, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Mathinna
- Government House, Hobart Town, 1840
- Government House, Hobart Town, 1840–1841
- Government House, Hobart Town, 1841
- Hazel
- Medea, 1840
- Hobart Town, 1840
- Hobart Town, 1840
- The Cascades, 1840–1841
- Hobart Town, 1841
- Mathinna
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841–1842
- Government House, Hobart Town, 1842
- Hazel
- Hobart Town, Van Diemen’s Land, 1842
- The Cascades, 1842
- Hobart Town, 1842
- Hobart Town, 1843
- Hobart Town, 1843
- Hobart Town, 1843
- Ruby
- St. John’s Wood, London, 1868
- Acknowledgments
- About the Author
- Novels by Christina Baker Kline
- Copyright
- About the Publisher
Reluctantly, Mathinna handed over the other two necklaces.
Lady Franklin turned to Mrs. Crain. “I am keen to observe the influence of civilization on this child. Timeo was unable to overcome the unfortunate traits of his race—the lack of self-control, of course, and the innate stubbornness of will and temper that we are witnessing here.” She looked back at Mathinna, evaluating her. “This girl is lighter in color, and her features are more pleasing to the eye. More . . . European. It gives one hope that she might be more acquiescent. That she’ll be able to let go of the past and embrace a new way of life. It is possible, I believe. She’s younger than Timeo. Perhaps more malleable. Do you agree, Mrs. Crain?”
“If you say so, madam.”
Lady Franklin sighed. “Time will tell. Take her to her room. I imagine this will be the first night she’s slept in a proper bed.”
Mathinna had been sleeping in a proper bed since she was three years old—though she would’ve preferred the soft kangaroo skins the Palawa slept on in their cottages. There was little point, she knew, in saying this to Lady Franklin.
When Sarah opened the armoire in Mathinna’s bedroom, Mathinna was surprised to discover an entire wardrobe of clothing in her size: six dresses in fabrics ranging from cotton ticking to linen; six pairs of stockings, linen caps to cover her hair; three pairs of shoes. Most of the dresses were practical, meant for everyday wear: white and blue checks, small sensible sprigs of flowers, modest stripes. But one was fit for a princess: a high-waisted scarlet satin frock with a pleated bodice and full skirt, two layers of petticoats, pearl-white buttons on the short sleeves, and a black velvet waistband.
“For special occasions,” Sarah told her. “Not every day.”
Mathinna stroked the fabric. The satin slid between her fingers.
“No harm in trying it on, I suppose.” Sarah lifted it over her head. As she fastened the buttons in the back, Mathinna lifted the skirt and watched it billow down, puffing below the waist and rustling against her legs. Sarah opened the door to the armoire wide, and Mathinna’s breath caught in her throat. Staring back at her was a slim girl with large brown eyes and short black hair in a shimmering red dress. She touched the glass and then touched her own face. The girl inside the glass was her.
Lying on the hard mattress after blowing out the candle, Mathinna gazed up into the blackness and thought of the green shell necklace around Lady Franklin’s neck. She remembered watching her mother prick holes in tiny iridescent shells, hundreds of them, thousands, to string into necklaces. Wanganip liked to sit under the shade of a blue gum tree, singing as she worked: Niggur luggarato pawé, punna munnakanna, luggarato pawé tutta watta, warrena pallunubranah, punna munnakanna, rialangana, luggarato pawé, rialanganna, luggarato . . .
As the tune came back to her, Mathinna hummed it aloud: It’s wattle blossom time, it’s springtime, the birds are whistling, spring has come. The clouds are all sunny, the fuchsia is out at the top, the birds are whistling. Everything is dancing because it’s springtime . . . Reaching into the basket on the floor, she pulled Waluka onto the bed. She stroked the ridge of his back, rested her palm between his tiny witchy hands, cupped his rounded belly. He nudged her neck with his wet nose, and she felt tears slide from her eyes, dampening her neck and pillow.