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Contents (51)
  1. Dedication
  2. Epigraph
  3. Prologue
  4. Evangeline
  5. St. John’s Wood, London, 1840
  6. Newgate Prison, London, 1840
  7. Newgate Prison, London, 1840
  8. Newgate Prison, London, 1840
  9. Newgate Prison, London, 1840
  10. Mathinna
  11. Flinders Island, Australia, 1840
  12. The Tasman Sea, 1840
  13. Hobart Town, Van Diemen’s Land, Australia, 1840
  14. Evangeline
  15. The Port of London, 1840
  16. Medea, The Port of London, 1840
  17. Medea, 1840
  18. Medea, 1840
  19. Medea, 1840
  20. Medea, 1840
  21. Medea, 1840
  22. Medea, 1840
  23. Mathinna
  24. Government House, Hobart Town, 1840
  25. Government House, Hobart Town, 1840–1841
  26. Government House, Hobart Town, 1841
  27. Hazel
  28. Medea, 1840
  29. Hobart Town, 1840
  30. Hobart Town, 1840
  31. The Cascades, 1840–1841
  32. Hobart Town, 1841
  33. Mathinna
  34. Government House, Hobart Town, 1841
  35. Government House, Hobart Town, 1841
  36. Government House, Hobart Town, 1841–1842
  37. Government House, Hobart Town, 1842
  38. Hazel
  39. Hobart Town, Van Diemen’s Land, 1842
  40. The Cascades, 1842
  41. Hobart Town, 1842
  42. Hobart Town, 1843
  43. Hobart Town, 1843
  44. Hobart Town, 1843
  45. Ruby
  46. St. John’s Wood, London, 1868
  47. Acknowledgments
  48. About the Author
  49. Novels by Christina Baker Kline
  50. Copyright
  51. About the Publisher

Newgate Prison, London, 1840

The door at the end of the hallway clanged open, and Evangeline dredged herself from sleep. It took a moment to remember where she was. Soot-stained stones oozing damp, miserable clusters of women, a rusting iron grate . . . her mouth cottony, her petticoats stiff and sour-smelling . . .

How pleasant it had been to forget.

Daybreak wasn’t much to speak of: hazy light filtered from the window above. Grasping a bar, she pulled herself up from the floor and stretched her sore back. A putrid piss bucket squatted in the corner. The tap-tapping had started again, and now she saw its source: women hitting the iron grate and walls with their wooden spoons.

Two guards appeared in front of their cell with a bucket. “Line up!” one shouted as the other unlocked the door. Evangeline watched him dip a ladle into the bucket and slosh the contents into a prisoner’s outstretched cup. Digging into her apron pocket, she pulled out her own battered cup and flipped it upside down to remove the grit. Despite the dampness around her ankles, her full bladder, her aching limbs and nausea, she pushed her way to the front, hunger winning out.

When the guard filled her cup, she tried to catch his eye. Couldn’t he tell she had nothing in common with these pathetic wretches with faces as dirty as those of coal miners?

He didn’t give her a glance.

She stepped back and took a sip of watery oats, cold and bland and possibly rancid. Her stomach heaved slightly, but she willed herself not to vomit.

Women juggling cups and crying babies tripped over each other to reach the gruel, thrusting their cups toward the guards. A few hung back, too sick or defeated to fight their way to the door. One woman—probably the one they’d told the matron about the night before—wasn’t moving at all. Evangeline looked at her uneasily.

Yes, she might very well be dead.

After the guards left, carrying the unconscious woman, the cell quieted. A group of prisoners huddled in a corner playing cards fashioned from what appeared to be the torn pages of a Bible. In another corner, a woman in a knitted cap read palms. A girl who appeared no more than fifteen cradled an infant against her neck, crooning a tune Evangeline recognized: I left my baby lying here to go and gather blueberries . . . She’d heard women in Tunbridge Wells sing this strange Scottish lullaby to their children. In it a desperate mother whose baby disappears retraces her steps: I searched the moorland tarns and then wandered through each silent glen. The mother discovers the tracks of an otter, the wake of a swan across a lake. I found the trail of the mountain mist but ne’er a trace of baby, O! Clearly an admonition to new mothers to keep an eye on their infants, the lullaby now seemed to her cruelly grim, the specter of loss almost impossible to bear.