Contents (51)
- Dedication
- Epigraph
- Prologue
- Evangeline
- St. John’s Wood, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Newgate Prison, London, 1840
- Mathinna
- Flinders Island, Australia, 1840
- The Tasman Sea, 1840
- Hobart Town, Van Diemen’s Land, Australia, 1840
- Evangeline
- The Port of London, 1840
- Medea, The Port of London, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Medea, 1840
- Mathinna
- Government House, Hobart Town, 1840
- Government House, Hobart Town, 1840–1841
- Government House, Hobart Town, 1841
- Hazel
- Medea, 1840
- Hobart Town, 1840
- Hobart Town, 1840
- The Cascades, 1840–1841
- Hobart Town, 1841
- Mathinna
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841
- Government House, Hobart Town, 1841–1842
- Government House, Hobart Town, 1842
- Hazel
- Hobart Town, Van Diemen’s Land, 1842
- The Cascades, 1842
- Hobart Town, 1842
- Hobart Town, 1843
- Hobart Town, 1843
- Hobart Town, 1843
- Ruby
- St. John’s Wood, London, 1868
- Acknowledgments
- About the Author
- Novels by Christina Baker Kline
- Copyright
- About the Publisher
The big event was four days away, then three, then two. Mathinna watched as a crew of workers erected a large sailcloth tent in the side garden and laid the wooden dance floor. As soon as the tent was up, half a dozen convict maids were enlisted to decorate it, overseen by Lady Franklin, who did not so much as lift a teacup but could spy a misplaced chair or wobbly table leg at five hundred paces.
The music played in Mathinna’s head on a continuous loop. In bed at night she moved her toes—one–two–three–four, one–two–three—and tapped her fingers to the rhythm. She danced instead of walked, held her head a little higher and fluttered her arms in the air as she went about her day. The household staff was friendlier to her than they’d ever been. They smiled when they saw her coming down the corridor, complimented her footwork, quizzed her about the differences between a waltz and quadrille.
Only Mrs. Crain, passing through the courtyard as Mathinna practiced her steps, offered a critique. “Remember that these are formal English dances, Mathinna,” she said with a frown. “You must control your native flourishes.”
The scarlet dress still fit Mathinna around the waist, but it was too short, and the sleeves were tight.
She stood on a stool in the center of the room while Hazel sat on the floor, pinning the skirt around her. “Bloody dark in here,” she muttered. “I can barely see what I’m doing.”
Mathinna looked down at the part of Hazel’s russet hair, the smattering of freckles on her forearms. A round metal pendant around her neck glinted in the weak amber light. “What’s that?” she asked, pointing.
“What?” Hazel touched her throat. “Oh. I forget I have it on. Turn around, I need to pin the back. It belonged to a friend.”
Looking over her shoulder at her, Mathinna said, “Why doesn’t your friend wear it?”
Hazel was silent for a moment. Then she said, “She’s dead. This is all I’ve left of her. Well, except . . .”
“Except what?”
“Oh . . . this and that. A handkerchief.” Pushing Mathinna gently off the stool, Hazel said, “We’re done. Let’s get it off ye and I’ll hem it before I leave.”
As Hazel stood behind her, undoing the buttons, Mathinna said, “I used to wear a necklace that my mother made out of green shells, but Lady Jane took it.”
“Ach. I’m sorry. Shall I steal it back for ye?”
Mathinna shook her head. “You’ll end up in solitary like Sarah Stoup, and I’ll never see you again either.”
Government House, Hobart Town, 1841
The day of the dance was unseasonably humid. By late morning the golden wattle on the tables under the tent were drooping in their vases. By noon a hazy scrim enveloped the trees. Sir John was the one who’d decided the party should be held outdoors, Lady Franklin complained to whoever would listen. Easy for him to insist, since he had nothing to do with the planning! In the late afternoon she sent two convict maids into town to find paper fans—“Three dozen. No, four”—and directed Hazel to prepare a lavender bath in her chambers.