Two bullets snapped through the wood of the cellar door and disappeared through the ceiling.

But there were no more shots. Rhyme thought Culbeau would have fired more than twice.

But then he also thought the screams from the basement would last longer than they did.

Harris Tomel knew it was time to get the hell out, back to Tanner’s Corner.

O’Sarian was dead—okay, no loss there—and Culbeau had gone down to the cabin to take care of the rest of them. So it was Tomel’s job to find Lucy. But he didn’t mind. He was still stung with shame that he’d clenched when he’d faced down Trey Williams and it had been that psycho little shit O’Sarian who’d saved his life.

Well, he wasn’t going to freeze again.

Then, beside a tree some distance away, he saw a flash of tan. He looked. Yeah, there—through the crook of a tree—he could just make out Lucy Kerr’s tan uniform blouse.

Holding the two-thousand-dollar shotgun, he moved a little closer. It wasn’t a great shot—there wasn’t much target presenting. Just part of her chest, visible through the crook of the tree. A hard shot with a rifle. But doable with the shotgun. He set the choke on the end of the muzzle so that the pellets would scatter wider and he’d have a better chance of hitting her.

He stood fast, dropped the bead sight right on the front of her blouse and squeezed the trigger.

A huge kick. Then he squinted to see if he’d hit his target.

Oh, Christ…. Not again! The blouse was floating in the air—launched by the impact of the pellets. She’d hung it on the tree to lure him into giving away his position.

“Hold it right there, Harris,” Lucy’s voice called, behind him. “It’s over with.”

“That was good,” he said. “You fooled me.” He turned to face her, holding the Browning at waist level, hidden in the grass, the shotgun pointed in her direction. She was in a white T-shirt.

“Drop your gun,” she ordered.

“I did already,” he said.

He didn’t move.

“Let me see your hands. In the air. Now, Harris. Last warning.”

“Look, Lucy….”

The grass was four feet high. He’d drop down, fire to take out her knees. Then finish her off from close range. It’d be a risk, though. She could still get off a shot or two.

Then he noticed something: a look in her eyes. A look of uncertainty. And it seemed to him that she held her gun too threateningly.

She was bluffing.

“You’re out of ammo,” Tomel said, smiling.

There was a pause and the expression on her face confirmed it. He lifted the shotgun with both hands and aimed it at her. She gazed back hopelessly.