Back The Elopement
Chapters (59)
  1. About the Author
  2. Also by Gill Hornby
  3. TITLE PAGE
  4. DEDICATION
  5. A Note about Names
  6. EPIGRAPH
  7. The Families
  8. Prologue
  9. PART ONE
  10. CHAPTER I
  11. CHAPTER II
  12. CHAPTER III
  13. CHAPTER IV
  14. CHAPTER V
  15. CHAPTER VI
  16. CHAPTER VII
  17. CHAPTER VIII
  18. PART TWO
  19. CHAPTER IX
  20. CHAPTER X
  21. CHAPTER XI
  22. CHAPTER XII
  23. CHAPTER XIII
  24. CHAPTER XIV
  25. CHAPTER XV
  26. CHAPTER XVI
  27. PART THREE
  28. CHAPTER XVII
  29. CHAPTER XVIII
  30. CHAPTER XIX
  31. CHAPTER XX
  32. CHAPTER XXI
  33. CHAPTER XXII
  34. CHAPTER XXIII
  35. CHAPTER XXIV
  36. CHAPTER XXV
  37. CHAPTER XXVI
  38. CHAPTER XXVII
  39. CHAPTER XXVIII
  40. CHAPTER XXIX
  41. CHAPTER XXX
  42. CHAPTER XXXI
  43. CHAPTER XXXII
  44. CHAPTER XXXIII
  45. CHAPTER XXXIV
  46. CHAPTER XXXV
  47. CHAPTER XXXVI
  48. PART FOUR
  49. CHAPTER XXXVII
  50. CHAPTER XXXVIII
  51. CHAPTER XXXIX
  52. CHAPTER XL
  53. CHAPTER XLI
  54. CHAPTER XLII
  55. Epilogue
  56. Author’s Note
  57. Acknowledgements
  58. THIS IS JUST THE BEGINNING
  59. COPYRIGHT

The house comprised an impressive four-storey central building from which immense wings reached out on either side. This may well have been the first domestic residence which Adam designed, but Fanny could appreciate that it still stood as an almost perfect exemplar of the architect’s style.

‘And do look! All the servants assembled to meet us.’ Indeed, the staff was so very enormous – well over twenty in uniform! – as to strike fear into Fanny’s young heart. Having run Godmersham entirely alone, she had thought of herself as experienced. But here were many more than she was used to. How was she to cope?

The imposing façade of red brick was broken up with decorations of stucco. Either side of the great portico – and the wide flight of stone steps that led to it – were alcoves housing large, white, beautifully carved figures of marble. Fanny, whose once-favourite governess was almost over-fond of all things classical, was able to identify them at once. ‘The Four Seasons!’ she exclaimed.

Sir Edward alighted from the gig, walked around to offer Fanny his hand and said: ‘The figures you see before you represent the Four Seasons.’ As if he had not heard her, although Fanny could not see how that could be.

Sir Edward lowered her to the drive, tucked her hand under his arm, and proceeded to guide her. With her eyes on the central elevation, Fanny opened her mouth with the intention of speech.

‘Although,’ her fiancé cut in, ‘this is the first such residence to be completed by the Great Architect.’

Fanny glanced at him sideways. Not only was this acceptably common knowledge among Kent’s landed families, but Sir Edward had already mentioned the fact to her several times before. Might she remind him?

‘… exemplar of Robert Adam’s style.’

She decided she should very much not. ‘Is that so?’

Sir Edward, she realised, was at his happiest when in the position of being able to explain.

They met every member of staff, with Fanny pursuing a short chat with each, at the same time as trying to memorise every name she was given, before Sir Edward could send them all back to work and the couple was once more alone. And for the next half an hour, they walked peaceably around the grounds to the front of the establishment, while Sir Edward explained, at length, to his kind heart’s content.

‘The brick wall that runs around the kitchen garden is in fact more than just an attractive feature …’

‘Indeed?’ Fanny obliged.

‘It also performs the vital function …’

Her interested ignorance seemed to bring so much pleasure Fanny found it hard to begrudge. ‘How very clever that is.