Chapters (20)
- THE WIND-UP BIRD AND TUESDAY’S WOMEN
- THE SECOND BAKERY ATTACK
- THE KANGAROO COMMUNIQUÉ
- ON SEEING THE 100% PERFECT GIRL ONE BEAUTIFUL APRIL MORNING
- SLEEP
- THE FALL OF THE ROMAN EMPIRE , THE 1881 INDIAN UPRISING, HITLER’S INVASION OF POLAND, AND THE REALM OF RAGING WINDS
- LEDERHOSEN
- BARN BURNING
- THE LITTLE GREEN MONSTER
- FAMILY AFFAIR
- A WINDOW
- TV PEOPLE
- A SLOW BOAT TO CHINA
- THE DANCING DWARF
- THE LAST LAWN OF THE AFTERNOON
- THE SILENCE
- THE ELEPHANT VANISHES
- ABOUT THE AUTHOR
- OTHER BOOKS BY THIS AUTHOR
- ALSO BY HARUKI MURAKAMI
Then I think about the TV People rep’s revelation, about the wife’s failure to materialize. He’s saying she’s gone. That she isn’t coming home. I can’t bring myself to believe it’s over. Sure, we’re not the perfect couple. In four years, we’ve had our spats; we have our little problems. But we always talk them out. There are things we’ve resolved and things we haven’t. Most of what we couldn’t resolve we let ride. Okay, so we have our ups and downs as a couple. I admit it. But is this cause for despair? C’mon, show me a couple who don’t have problems. Besides, it’s only a little past eight. There must be some reason she can’t get to a phone. Any number of possible reasons. For instance… I can’t think of a single one. I’m hopelessly confused.
I fall back deep into the sofa.
How on earth is that airplane—if it is an airplane—supposed to fly? What propels it? Where are the windows? Which is the front, which is the back?
I’m dead tired. Exhausted. I still have to write that letter, though, to beg off from my cousin’s invitation. My work schedule does not afford me the pleasure of attending. Regrettable. Congratulations, all the same.
The two TV People in the television continue building their airplane, oblivious of me. They toil away; they don’t stop for anything. They have an infinite amount of work to get through before the machine is complete. No sooner have they finished one operation than they’re busy with another. They have no assembly instructions, no plans, but they know precisely what to do and what comes next. The camera ably follows their deft motions. Clear-cut, easy-to-follow camera work. Highly credible, convincing images. No doubt other TV People (Nos. 4 and 5?) are manning the camera and control panel.
Strange as it may sound, the more I watch the flawless form of the TV People as they go about their work, the more the thing starts to look like an airplane. At least, it’d no longer surprise me if it actually flew. What does it matter which is front or back? With all the exacting detail work they’re putting in, it has to be an airplane. Even if it doesn’t appear so—to them, it’s an airplane. Just as the little guy said, “If it’s not an airplane, then what is it?”
The TV People rep hasn’t so much as twitched in all this time. Right elbow still propped up on the TV set, he’s watching me. I’m being watched. The TV People factory crew keeps working. Busy, busy, busy. The clock ticks on. TRPP Q SCHAOUS TRPP Q SCHAOUS. The room has grown dark, stifling. Someone’s footsteps echo down the hall.