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Chapters (20)
  1. THE WIND-UP BIRD AND TUESDAY’S WOMEN
  2. THE SECOND BAKERY ATTACK
  3. THE KANGAROO COMMUNIQUÉ
  4. ON SEEING THE 100% PERFECT GIRL ONE BEAUTIFUL APRIL MORNING
  5. SLEEP
  6. THE FALL OF THE ROMAN EMPIRE , THE 1881 INDIAN UPRISING, HITLER’S INVASION OF POLAND, AND THE REALM OF RAGING WINDS
  7. LEDERHOSEN
  8. BARN BURNING
  9. THE LITTLE GREEN MONSTER
  10. FAMILY AFFAIR
  11. A WINDOW
  12. TV PEOPLE
  13. A SLOW BOAT TO CHINA
  14. THE DANCING DWARF
  15. THE LAST LAWN OF THE AFTERNOON
  16. THE SILENCE
  17. THE ELEPHANT VANISHES
  18. ABOUT THE AUTHOR
  19. OTHER BOOKS BY THIS AUTHOR
  20. ALSO BY HARUKI MURAKAMI

I pick up the newspaper again and read the same articles over again. Maybe I ought to start preparing dinner. But the wife might be working late and could come home having eaten. Which would mean wasting one portion. And if I am going to eat alone, I can make do with leftovers; no reason to make something up special. If she hasn’t eaten, we can go out and eat together.

Odd, though. Whenever either of us knows he or she is going to be later than six, we always call in. That’s the rule. Leave a message on the answering machine if necessary. That way, the other can coordinate: go ahead and eat alone, or set something out for the late arriver, or hit the sack. The nature of my work sometimes keeps me out late, and she often has meetings, or proofs to dispatch, before coming home. Neither of us has a regular nine-to-five job. When both of us are busy, we can go three days without a word to each other. Those are the breaks—just one of those things that nobody planned. Hence we always keep certain rules, so as not to place unrealistic burdens on each other. If it looks as though we’re going to be late, we call in and let the other one know. I sometimes forget, but she, never once.

Still, there’s no message on the answering machine.

I toss the newspaper, stretch out on the sofa, and shut my eyes.

I DREAM ABOUT a meeting. I’m standing up, delivering a statement I myself don’t understand. I open my mouth and talk. If I don’t, I’m a dead man. I have to keep talking. Have to keep coming out with endless blah-blah-blah. Everyone around me is dead. Dead and turned to stone. A roomful of stone statues. A wind is blowing. The windows are all broken; gusts of air are coming in. And the TV People are here. Three of them. Like the first time. They’re carrying a Sony color TV. And on the screen are the TV People. I’m running out of words; little by little I can feel my fingertips growing stiffen Gradually turning to stone.

I open my eyes to find the room aglow. The color of corridors at the Aquarium. The television is on. Outside, everything is dark. The TV screen is flickering in the gloom, static crackling. I sit up on the sofa, and press my temples with my fingertips. The flesh of my fingers is still soft; my mouth tastes like beer. I swallow. I’m dried out; the saliva catches in my throat. As always, the waking world pales after an all-too-real dream. But no, this is real. Nobody’s turned to stone. What time is it getting to be? I look for the clock on the floor. TRPP Q SCHAOUS TRPP Q SCHAOUS. A little before eight.