He would take two cards and lean them against each other, making an A without the horizontal stroke. Next to it he would make another A-shape. Over the top of the two he would lay a single card, making a roof. He would make A after A, overlaying each, until his desk supported a house of cards. You bent over and looked in, you saw something that looked like a hive of triangles. ’Cimi had seen these houses fall over hundreds of times (Claudio had also seen it happen from time to time, but not so frequently, because he was thirty years younger than ’Cimi, who expected to soon retire with his bitch of a wife to a farm they owned in northern New Jersey, where he would devote all his time to his garden . . . and to outliving the bitch he had married; not his mother-in-law, he had long since given up any wistful notion he might once have had of eating fettucini at the wake of La Monstra, La Monstra was eternal, but for outliving the bitch there was at least some hope; his father had had a saying which, when translated, meant something like “God pisses down the back of your neck every day but only drowns you once,” and while ’Cimi wasn’t completely sure he thought it meant God was a pretty good guy after all, and so he could only hope to outlive the one if not the other), but had only seen Balazar put out of temper by such a fall on a single occasion. Mostly it was something errant that did it—someone closing a door hard in another room, or a drunk stumbling against a wall; there had been times when ’Cimi saw an edifice Mr. Balazar (whom he still called Da Boss, like a character in a Chester Gould comic strip) had spent hours building fall down because the bass on the juke was too loud. Other times these airy constructs fell down for no perceptible reason at all. Once—this was a story he had told at least five thousand times, and one of which every person he knew (with the exception of himself) had tired—Da Boss had looked up at him from the ruins and said: “You see this ’Cimi? For every mother who ever cursed God for her child dead in the road, for every father who ever cursed the man who sent him away from the factory with no job, for every child who was ever born to pain and asked why, this is the answer. Our lives are like these things I build. Sometimes they fall down for a reason, sometimes they fall down for no reason at all.”

Carlocimi Dretto thought this the most profound statement of the human condition he had ever heard.