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Contents ( 56)
  1. CONTENTS
  2. INTRODUCTION
  3. On Being Nineteen (and a Few Other Things)
  4. 19
  5. RENEWAL
  6. ARGUMENT
  7. PROLOGUE: THE SAILOR
  8. PROLOGUE
  9. THE PRISONER
  10. CHAPTER 1
  11. The Door
  12. CHAPTER 2
  13. Eddie Dean
  14. CHAPTER 3
  15. Contact and Landing
  16. CHAPTER 4
  17. The Tower
  18. CHAPTER 5
  19. Showdown and Shoot-Out
  20. SHUFFLE
  21. THE LADY OF SHADOWS
  22. CHAPTER 1
  23. Detta and Odetta
  24. CHAPTER 2
  25. Ringing the Changes
  26. CHAPTER 3
  27. Odetta On the Other Side
  28. CHAPTER 4
  29. Detta On the Other Side
  30. RE-SHUFFLE
  31. THE PUSHER
  32. CHAPTER 1
  33. Bitter Medicine
  34. CHAPTER 2
  35. The Honeypot
  36. CHAPTER 3
  37. Roland Takes His Medicine
  38. CHAPTER 4
  39. The Drawing
  40. FINAL SHUFFLE
  41. AFTERWORD
  42. BOOK ONE
  43. JAKE
  44. FEAR IN A HANDFUL OF DUST
  45. I
  46. BEAR AND BONE
  47. I
  48. Bear and Bone
  49. Continue Reading…
  50. CHARACTERS
  51. SLEEPING BEAUTIES
  52. PART ONE
  53. THE AULD TRIANGLE
  54. CHAPTER 1
  55. Continue Reading…
  56. ABOUT THE AUTHOR

She thought I/he—meant to grab a weapon when I/he—bent down to get the papers. When she saw the papers she relaxed and did what everyone else did before the carriage came down to the ground again. Now she and her friend are talking and laughing but their faces—her face especially, the face of the woman with the metal tube—are not right. They are talking, all right, but they are only pretending to laugh . . . and that is because what they are talking about is I/him.

The air-carriage was now moving along what seemed a long concrete road, one of many. Mostly he watched the women, but from the edges of his vision the gunslinger could see other air-carriages moving here and there along other roads. Some lumbered; some moved with incredible speed, not like carriages at all but like projectiles fired from guns or cannons, preparing to leap into the air. As desperate as his own situation had become, part of him wanted very much to come forward and turn his head so he could see these vehicles as they leaped into the sky. They were man-made but every bit as fabulous as the stories of the Grand Featherex which had supposedly once lived in the distant (and probably mythical) kingdom of Garlan—more fabulous, perhaps, simply because these were man-made.

The woman who had brought him the popkin unfastened her harness (this less than a minute since she had fastened it) and went forward to a small door. That’s where the driver sits, the gunslinger thought, but when the door was opened and she stepped in he saw it apparently took three drivers to operate the air-carriage, and even the brief glimpse he was afforded of what seemed like a million dials and levers and lights made him understand why.

The prisoner was looking at all but seeing nothing—Cort would have first sneered, then driven him through the nearest wall. The prisoner’s mind was completely occupied with grabbing the bag under the seat and his light jacket from the overhead bin . . . and facing the ordeal of the ritual.

The prisoner saw nothing; the gunslinger saw everything.

The woman thought him a thief or a madman. He—or perhaps it was I, yes, that’s likely enough—did something to make her think that. She changed her mind, and then the other woman changed it back . . . only now I think they know what’s really wrong. They know he’s going to try to profane the ritual.

Then, in a thunderclap, he saw the rest of his problem. First, it wasn’t just a matter of taking the bags into his world as he had the coin; the coin hadn’t been stuck to the prisoner’s body with the glue-string the prisoner had wrapped around and around his upper body to hold the bags tight to his skin. This glue-string was only part of his problem. The prisoner hadn’t missed the temporary disappearance of one coin among many, but when he realized that whatever it was he had risked his life for was suddenly gone, he was surely going to raise the racks . . . and what then?