Back The Drawing of the Three Save as PDF
Contents ( 56)
  1. CONTENTS
  2. INTRODUCTION
  3. On Being Nineteen (and a Few Other Things)
  4. 19
  5. RENEWAL
  6. ARGUMENT
  7. PROLOGUE: THE SAILOR
  8. PROLOGUE
  9. THE PRISONER
  10. CHAPTER 1
  11. The Door
  12. CHAPTER 2
  13. Eddie Dean
  14. CHAPTER 3
  15. Contact and Landing
  16. CHAPTER 4
  17. The Tower
  18. CHAPTER 5
  19. Showdown and Shoot-Out
  20. SHUFFLE
  21. THE LADY OF SHADOWS
  22. CHAPTER 1
  23. Detta and Odetta
  24. CHAPTER 2
  25. Ringing the Changes
  26. CHAPTER 3
  27. Odetta On the Other Side
  28. CHAPTER 4
  29. Detta On the Other Side
  30. RE-SHUFFLE
  31. THE PUSHER
  32. CHAPTER 1
  33. Bitter Medicine
  34. CHAPTER 2
  35. The Honeypot
  36. CHAPTER 3
  37. Roland Takes His Medicine
  38. CHAPTER 4
  39. The Drawing
  40. FINAL SHUFFLE
  41. AFTERWORD
  42. BOOK ONE
  43. JAKE
  44. FEAR IN A HANDFUL OF DUST
  45. I
  46. BEAR AND BONE
  47. I
  48. Bear and Bone
  49. Continue Reading…
  50. CHARACTERS
  51. SLEEPING BEAUTIES
  52. PART ONE
  53. THE AULD TRIANGLE
  54. CHAPTER 1
  55. Continue Reading…
  56. ABOUT THE AUTHOR

No fingerprints allowed.

Only Don’t Bees left fingerprints.

He stuffed the bandanna into his back pocket again even as the door was swinging open. As he walked down the hall, he assumed a faintly drunken gait. He didn’t look around.

Looking around was also only for Don’t Bees.

Do Bees knew that trying to see if someone was noticing you was a sure way to accomplish just that. Looking around was the sort of thing a witness might remember after an accident. Then some smartass cop might decide it was a suspicious accident, and there would be an investigation. All because of one nervous glance around. Jack didn’t believe anyone could connect him with the crime even if someone decided the “accident” was suspicious and there was an investigation, but . . .

Take only acceptable risks. Minimize those which remain. In other words, always prop a chair under the doorknob.

So he walked down the powdery corridor where patches of lathing showed through the plastered walls, he walked with his head down, mumbling to himself like the vags you saw on the street. He could still hear the woman—the mother of the little girl, he supposed—screaming, but that sound was coming from the front of the building; it was faint and unimportant. All of the things which happened after—the cries, the confusion, the wails of the wounded (if the wounded were still capable of wailing), were not things which mattered to Jack. What mattered was the thing which pushed change into the ordinary course of things and sculpted new lines in the flow of lives . . . and, perhaps, the destinies not only of those struck, but of a widening circle around them, like ripples from a stone tossed into a still pond.

Who was to say that he had not sculpted the cosmos today, or might not at some future time?

God, no wonder he creamed his jeans!

He met no one as he went down the two flights of stairs but he kept up the act, swaying a little as he went but never reeling. A swayer would not be remembered. An ostentatious reeler might be. He muttered but didn’t actually say anything a person might understand. Not acting at all would be better than hamming it up.

He let himself out the broken rear door into an alley filled with refuse and broken bottles which twinkled galaxies of sun-stars.

He had planned his escape in advance as he planned everything in advance (take only acceptable risks, minimize those which remain, be a Do Bee in all things); such planning was why he had been marked by his colleagues as a man who would go far (and he did intend to go far, but one of the places he did not intend to go was to jail, or the electric chair).

A few people were running along the street into which the alley debouched, but they were on their way to see what the screaming was about, and none of them looked at Jack Mort, who had removed the out-of-season knit cap but not the sunglasses (which, on such a bright morning, did not seem out of place).