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Contents ( 18)
  1. The Dispossessed
  2. THE DISPOSSESSED
  3. Ursula K. Le Guin
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. Notes

• • •

Inside the Mindful a great deal was happening. Since Ground Control had pushed launch time up, all routines had to be rushed through in double time. The captain had ordered that the passenger be strapped down and locked in, in the crew lounge, along with the doctor, to get them out from underfoot. There was a screen in there, they could watch the liftoff if they liked.

The passenger watched. He saw the field, and the wall around the field, and far outside the wall the distant slopes of the Ne Theras, speckled with scrub holum and sparse, silvery moonthorn.

All this suddenly rushed dazzling down the screen. The passenger felt his head pressed back against the padded rest. It was like a dentist’s examination, the head pressed back, the jaw forced open. He could not get his breath, he felt sick, he felt his bowels loosen with fear. His whole body cried out to the enormous forces that had taken hold of him, Not now, not yet, wait!

His eyes saved him. What they insisted on seeing and reporting to him took him out of the autism of terror. For on the screen now was a strange sight, a great pallid plain of stone. It was the desert seen from the mountains above Grand Valley. How had he got back to Grand Valley? He tried to tell himself that he was in an airship. No, in a spaceship. The edge of the plain flashed with the brightness of light on water, light across a distant sea. There was no water in those deserts. What was he seeing, then? The stone plain was no longer plane but hollow, like a huge bowl full of sunlight. As he watched in wonder it grew shallower, spilling out its light. All at once a line broke across it, abstract, geometric, the perfect section of a circle. Beyond that arc was blackness. This blackness reversed the whole picture, made it negative. The real, the stone part of it was no longer concave and full of light but convex, reflecting, rejecting light. It was not a plain or a bowl but a sphere, a ball of white stone falling down in blackness, falling away. It was his world.

“I don’t understand,” he said aloud.

Someone answered him. For a while he failed to comprehend that the person standing by his chair was speaking to him, answering him, for he no longer understood what an answer is. He was clearly aware of only one thing, his own total isolation. The world had fallen out from under him, and he was left alone.

He had always feared that this would happen, more than he had ever feared death. To die is to lose the self and rejoin the rest. He had kept himself, and lost the rest.

He was able at last to look up at the man standing beside him. It was a stranger, of course. From now on there would be only strangers. He was speaking in a foreign language: Iotic. The words made sense. All the little things made sense; only the whole thing did not. The man was saying something about the straps that held him into the chair. He fumbled at them. The chair swung upright, and he nearly fell out of it, being giddy and off balance. The man kept asking if someone had been hurt. Who was he talking about? “Is he sure he didn’t get hurt?” The polite form of direct address in Iotic was in the third person. The man meant him, himself. He did not know why he should have been hurt; the man kept saying something about throwing rocks. But the rock will never hit, he thought. He looked back at the screen for the rock, the white stone falling down in darkness, but the screen had gone blank.