For a few days he and Sherut shared the room day-times, both of them sleeping till late afternoon; then Sherut, a placid woman of forty, moved in with another woman who worked night shift, and Shevek and Takver had the room to themselves for the four decads they stayed on in Chakar. While Takver was at work he slept, or walked out in the fields or on the dry, bane hills above the town. He went by the learning center late in the afternoon and watched Sadik and the other children on the playgrounds, or got involved, as adults often did, in one of the children’s projects—a group of mad seven-year-old carpenters, or a pair of sober twelve-year-old surveyors having trouble with triangulation. Then he walked with Sadik to the room; they met Takver as she got off work and went to the baths together and to commons. An hour or two after dinner he and Takver took the child back to her dormitory and returned to the room. The days were utterly peaceful, in the autumn sunlight, in the silence of the hills. It was to Shevek a time outside time, beside the flow, unreal, enduring, enchanted. He and Takver sometimes talked very late; other nights they went to bed not long after dark and slept nine hours, ten hours, in the profound, crystalline silence of the mountain night.

He had come with luggage: a tattered little fiberboard case, his name printed large on it in black ink; all Anarresti carried papers, keepsakes, the spare pair of boots, in the same kind of case when they traveled, orange fiberboard, well scratched and dented. His contained a new shirt he had picked up as he came through Abbenay, a couple of books and some papers, and a curious object, which as it lay in the case appeared to consist of a series of flat loops of wire and a few glass beads. He revealed this, with some mystery, to Sadik, his second evening there.

“It’s a necklace,” the child said with awe. People in the small towns wore a good deal of jewelry. In sophisticated Abbenay there was more sense of the tension between the principle of nonownership and the impulse to self-adornment, and there a ring or pin was the limit of good taste. But elsewhere the deep connection between the aesthetic and the acquisitive was simply not worried about; people bedecked themselves unabashedly. Most districts had a professional jeweler who did his work for love and fame, as well as the craft shops, where you could make to suit your own taste with the modest materials offered—copper, silver, beads, spinels, and the garnets and yellow diamonds of Southrising. Sadik had not seen many bright, delicate things, but she knew necklaces, and so identified it.

“No: look,” her father said, and with solemnity and deftness raised the object by the thread that connected its several loops. Hanging from his hand it came alive, the loops turning freely, describing airy spheres one within the other, the glass beads catching the lamplight.