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The Dispossessed

Ursula K. Le Guin
Contents (18)
  1. The Dispossessed
  2. THE DISPOSSESSED
  3. Ursula K. Le Guin
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. Notes

The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous communication. It is the life work of Shevek, a brilliant physicist from the arid anarchist world of Anarres. But Shevek’s work is being stifled by jealous colleagues, so he travels to Anarres’s sister-planet Urras, hoping to find more liberty and tolerance there. But he soon finds himself being used as a pawn in a deadly political game.

“The Dispossessed” is a book of opposites: a utopian novel that doesn’t flinch from exposing the flaws of its model society, a feminist-themed narrative with a male protagonist, a social commentary that presents communal cooperation as the truest human ideal, yet focuses on the inevitable separateness of the creative individual within such a structure. Through these dichotomies, Ursula K. Le Guin examines the tension between human aspiration and human nature, between what can be dreamed and what can be achieved.

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Ursula K. Le Guin

The Dispossessed

SF Masterworks - 16

ePub r1.1

AlNoah 29.06.2021

Original title: The Dispossessed

Ursula K. Le Guin, 1974

Illustrations: Chris Moore

Cover illustration: Chris Moore

Cover retouch: AlNoah

Digital editor: AlNoah

ePub base r2.1

Fuente incrustada
Ex libris
sfmaster

THE
DISPOSSESSED

Ursula K. Le Guin

For the partner

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CHAPTER ONE

Anarres • Urras

THERE was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.

Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.

Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.

Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.