Back The Devils You Know Save as PDF
Chapters (46)
  1. COVER PAGE
  2. PRAISE
  3. DEDICATION
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. ACKNOWLEDGEMENTS
  45. ABOUT THE AUTHOR
  46. SNEAK PEEK: EXIT .45

And again, a volley, even louder.

More than one person, and they were closer now.

Back outside, the drapes blowing idly, stroking her as she passed, and everything hyper-real, sharpened by panic. Fast along the patio, silent on tiptoe and sock feet, dancing around glass. Breath short, and a blood-pounding chug in her ears like a train, the black force of it about to hit her.

Another shot, and then a bang—duller, like a door being kicked. They were close, upstairs—

At Vincent’s room now, and she got that flash of memory: Vincent in the car this morning, calm but far away. The sliding door was unlocked, and she stepped in with a weird feeling—no place in this moment—a hotel flashback: coming in off cool tiles to a shadowed room, and the pool lapping behind her. Now juxtaposed to that, the danger of gunmen.

Too dark, before her eyes adjusted. There—the remote in its wall cradle, a fumble, and she grabbed it, button-mashed, and the lights came on bright. A rush of LED, stark and clinical. The stereo kicked in, too: HELLO scrolling on a narrow screen, and then music: ‘Girl, you’ll be a woman soon.’ Even running, even panicked, her brain knew it: that song from Pulp Fiction. Uma Thurman dances to it, and then ODs.

Past the kitchen, and she heard a crash through the wall, someone in her apartment.

Into his bedroom, everything neat and square, the bed made. A book on his nightstand—Hitchens: A Long Short War, and a stack of paper underneath: CIA seal on the top sheet, long strings of text redacted. What?

A slam from the living room, probably the sliding door. She ran to the bathroom and pulled the shower handle. A rush and a cold mist as the water spluttered. Anything for a distraction, anything to buy her time. She should have grabbed a kitchen knife, but there: scissors on the shelf above the basin, and she held them like a dagger, overhand, point raised above her shoulder as she waited by the bedroom door, and in the room beyond: swift footsteps and panting, the thrill and the urgency of murder.

He was just outside the door—she knew it—and with the shower water like white noise, like brain-static in the total horror of the moment, she stepped out.

And saw she had mistimed her move.

Because the black-clad man with his pistol and his mask was still twelve feet away, and there was no time to adjust, nothing to do but clench her teeth on the scream.