Back The Dead Will Tell
Chapters (41)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Epigraph
  6. Prologue
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Chapter 32
  39. Also by Linda Castillo
  40. About the Author
  41. Copyright

She raised the pistol slightly. The revolver cracked. Agony zinged in his knee. His leg buckled. Crying out, he hit the ground hard. Dizzy with shock and pain, he clutched his knee, glanced down, saw blood between his fingers. “But you’re … you can’t…”

The pain took his breath. He couldn’t speak. He couldn’t tell her she was a ghost and ghosts didn’t need guns.

Another shot snapped through the air. Pain exploded in his other knee. He screamed and then flopped around in the mud like a hooked fish. “Don’t,” he panted. “Dear God, please don’t.”

He tried to scream for help, but the sound that squeezed through his lips was the howl of a wounded dog. He lay on his side, wheezing, and looked up at her. “You’re not a ghost,” he croaked.

Rope in hand, she started toward him, a smile curving her mouth.

*   *   *

When you spend the entirety of your professional life in law enforcement, there are certain things you come to know. I’ve handled my share of firearms over the years, both handguns and rifles, and I know firsthand that without practice, good marksmanship is tough to come by—even by police officers. Half the cops I know couldn’t hit the broadside of a barn, especially in a high-adrenaline or shoot-from-the-hip type of scenario.

I also know that the targeting of the genitalia in the commission of a crime speaks to some kind of symbolism. I’ve seen it done in gangland murders in which some thug wants to make a point. But I’ve also seen it in revenge crimes involving sexual assault. The question in the forefront of my mind is this: Did Michaels’s killer target his genitalia, or was he simply a bad shot?

I enter the reception area to find half a dozen pails of different shapes and sizes on the floor between the reception area and the coffee station. My first-shift dispatcher, Lois Monroe, is in the hall with her headset clamped over her ears, a mop in hand. A steady drip from the ceiling plunks into an old paint can, keeping perfect time with a funky Linkin Park number on the radio.

“Be careful where you walk, Chief.” Propping the mop against the wall, she strides to the reception desk and plucks messages from my slot. “I ran out of buckets an hour ago.”

I look at the menagerie of containers set out to catch the deluge and I try not to laugh, because it’s a hell of a lot more likely that I’ll get a rash of excuses from the town council as opposed to a new roof.

“Call everyone and tell them there’s a briefing in half an hour,” I tell her.

She arches a brow. “Productive day so far?”