Chapters (41)
- Title Page
- Copyright Notice
- Dedication
- Acknowledgments
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Also by Linda Castillo
- About the Author
- Copyright
Mouth contorted in rage, the woman slashed. Violently, putting her body weight into it. Fire flashed across Jules’s throat. The knowledge that it was a death blow. Terror ripping through every nerve ending.
Jules tried to scream, gargled blood. She saw blood on the blade. On the tile. Red against her bare arms. Her right calf hit the side of the tub. The knife came down again, a hammer blow to her sternum. No air in her lungs. No way to breathe. She fell backwards into the tub. Darkness closing in. The familiar face looking down at her, now as impassive and cold as a predator on prey.
I didn’t mean for you to die, she thought.
And then the knife came down again.
* * *
Tomasetti calls my cell twice during the drive from the farm to my house in Painters Mill. As much as I want to speak to him and work this out, I don’t answer. There’s no simple fix for the issues we’re dealing with. And I’ve got too many emotions pinging around inside me to partake in a meaningful conversation. An uncomfortable mix of fear and anger and, as much as I don’t want to admit it—even to myself—jealousy. Probably better for both of us to cool off before we talk.
I park in the driveway and sprint through the pouring rain to the front door and let myself inside. The house is dark, and even though I’ve gone to great lengths to maintain it as I try to decide whether to sell or rent, it has the feel of a place that’s been closed up without fresh air for a long time.
A pang of melancholy moves through me. This was my first house, and I’ve loved it since the first time I saw it four years ago. I painted every room myself and chose the colors with such care. I spent a week’s salary on the Amish rug in the living room. This place is so much more than a house. It symbolized a fresh start for me, a new phase of my life when I moved back to Painters Mill and became chief.
Tonight, standing in the living room, looking down at the layer of dust on the coffee table that had once been polished to a high sheen, it no longer feels like home.
I don’t let myself think about Tomasetti or the harsh words between us as I pull linens from the hall closet and put them on the bed. A quick shower, and I climb between the sheets. Despite my exhaustion, sleep doesn’t come easily and I end up tossing and turning for an hour before I can turn off my mind. When slumber finally descends, it’s restless and fraught with dreams.