I consider everything I know about Blue Branson and the stark contrasts between the man he is now and the man who chalked up an arrest record—and I can’t quite reconcile the two. “Do you think Blue’s church is some kind of cover for something else?”

“Oh, no.” Pickles gives a short laugh. “I think that son of a bitch got saved, all right. But all the praying in the world can’t change who you are, and it doesn’t erase the things you did in your past. I think Old Blue’s trying hard to save his own soul. And I think he’s probably got a ways to go before he gets the job done.”

* * *

Fifteen minutes later, Skid and I are in my Explorer heading south on a gravel track that runs parallel with Painters Creek. The ditches on both sides of the road are filled to the brim with runoff from the rain. The gravel beneath the tires feels spongy and I can hear the mud and stones pinging against the wheel wells. We cross a small bridge and even in the darkness, I can see that the creek is swollen to twice its normal size. If the rain doesn’t let up soon, we’re going to be dealing with serious flooding issues.

I park next to a brown Riviera, circa 1975, and shut down the engine. Through the trees, I see the yellow glow of lights and the silhouette of a modest frame house.

“So Michaels called McCullough a few hours before he was murdered?” Skid asks.

I’d briefed him on the case on the drive over. “Pickles says they knew each other when they were young. I thought it was worth a visit.”

We get out of the Explorer. The woods around us are extremely dark, so I grab my Maglite and aim it toward the house. The cone of light illuminates a crude path through the trees. Gravel, clumps of concrete, and pieces of plywood are tossed about haphazardly, forming just enough of a walkway to keep our shoes from being swallowed by mud.

The drizzle is cold against my face and hands as I start down the path. It winds through mature trees and eventually takes us to the front porch, which is lighted with a bare yellow bulb. I open a storm door and knock. While we wait, I discern the roar of rushing water from Painters Creek behind the house. I wonder how far the house is from the water.

The door swings open and I find myself looking at a short gray-haired man with a snarlish mouth and wire-rimmed glasses, the lenses of which are smeared with fingerprints.

“Jerrold McCullough?” I ask.

“You’re looking at him.” I hear a hint of the Kentucky hills in his voice. He looks past me at Skid, but he doesn’t smile and makes no move to let us in. “If you’re here to evacuate me, I’m not leaving, so you might as well just turn around and go.” He jabs his thumb in the general direction of the road. “That creek back there hasn’t flooded in thirty years, and it’s not going to flood now.”