Chapters (13)
carried through the screaming. The sleeper will wake.
The twisted one will fly above the faces, his
garment rippling.
Here there is still the backstage quiet,
the dark at the bottom of the wall, the props
leaning in the grainy half-dusk.
He looks at us in the silence. He says
Save me, there is still time.
Photograph of the Girl
The girl sits on the hard ground,
the dry pan of Russia, in the drought
of 1921, stunned,
eyes closed, mouth open,
raw hot wind blowing
sand in her face. Hunger and puberty are
taking her together. She leans on a sack,
layers of clothes fluttering in the heat,
the new radius of her arm curved.
She cannot be not beautiful, but she is
starving. Each day she grows thinner, and her bones
grow longer, porous. The caption says
she is going to starve to death that winter
with millions of others. Deep in her body
the ovaries let out her first eggs,
golden as drops of grain.
Race Riot, Tulsa, 1921
The blazing white shirts of the white men
are blanks on the page, looking at them is like
looking at the sun, you could go blind.
Under the snouts of the machine guns,
the dark glowing skin of the women and
men going to jail. You can look at the
gleaming horse-chestnuts of their faces the whole day.
All but one descend from the wood
back of the flat-bed truck. He lies,
shoes pointed North and South,
knuckles curled under on the splintered slats,
head thrown back as if he is in a
field, his face tilted up
toward the sky, to get the sun on it, to
darken it more and more toward the color of the human.
Portrait of a Child
(Yerevan, capital of a republic
set up by those Armenians who had
not been massacred by the Turks.
In 1921, Turkey and Russia
divided the republic between them.)
His face is quite peaceful, really,
like any child asleep, though the skin
is darkened in places, the curved eyelids
turgid, part of the ear missing
as if bitten off. He lies like a child
asleep, on his side, one arm bent
so the hand curls near his face, one arm
dangling across his chest, fingertips
touching the stone street. His shirt has
two rents near the waist, the slits hunters make
in the stomach of the catch.
Besides the shirt he wears nothing. His abdomen is
swollen as the belly of a pregnant woman
and sags to one side. His hip-joint bulges,
a bruise. His thigh is big around as a
newborn’s arm, and from hip-bone to knee
the tendon runs sharp as a crease in cloth,
the skin pulling at it. His knees are enormous,
his feet peaceful as in deep sleep,
and across one leg delicately rests
his penis. Pale and lovely there
at the center of the picture, it lies, the source
of the children he would have had, this child
dead of hunger
in Yerevan.