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Contents ( 101)
  1. THE COURT OF MIRACLES
  2. Kester Grant
  3. Copyright
  4. Dedication
  5. Map
  6. THE LAW OF THE MIRACLE COURT
  7. PART ONE
  8. How Fear Came
  9. 1823
  10. 1
  11. Le Début de l’Histoire
  12. 2
  13. The Keepers of the Gates
  14. 3
  15. The Lord of Thieves
  16. 4
  17. She Who Sleeps
  18. 5
  19. The Claws of the Hawk
  20. PART TWO
  21. The Dead Wolf
  22. 1829
  23. 6
  24. The Tiger
  25. 7
  26. The Black Cat’s Choice
  27. 8
  28. The Dealers of Death
  29. 9
  30. The Dead
  31. 10
  32. La Vallée de Misère
  33. 11
  34. The Dead Lord
  35. 12
  36. Les Oubliettes
  37. 13
  38. The Miracle Court
  39. 14
  40. The Master’s Hand
  41. PART THREE
  42. The Bread Price
  43. 15
  44. The Fountain
  45. 16
  46. The Dead Trial
  47. 17
  48. The Pont Neuf
  49. 18
  50. Of Drownings
  51. 19
  52. The Dauphin of France
  53. 20
  54. Ettie’s Tale
  55. 21
  56. The Sisters
  57. 22
  58. The Mesmerist
  59. 23
  60. Les Diamants de la Couronne
  61. 24
  62. The Bread Price
  63. 25
  64. The Stripes of the Cat
  65. PART FOUR
  66. The Black Cat’s Hunting
  67. 1832
  68. 26
  69. The Société des Droits de l’Homme
  70. 27
  71. Gray Brother
  72. 28
  73. Master of Knives
  74. 29
  75. Of Paper and Rats
  76. 30
  77. What the Lords Said
  78. 31
  79. The Dead Lord’s Word
  80. 32
  81. She Who Was Lost
  82. 33
  83. The Ruined Flesh
  84. 34
  85. The Truth
  86. 35
  87. Inspector Javert
  88. 36
  89. A Little Fall of Rain
  90. 37
  91. The Courier
  92. 38
  93. The Tiger’s Lair
  94. 39
  95. The Black Cat’s Father
  96. 40
  97. The Death Song
  98. 41
  99. The End of the Tale
  100. Les milles remerciements—en ordre chronologique
  101. About the Publisher

I crane my neck to see if there is any bread anywhere, but there is only cake. Perhaps la Reine des Gâteaux was right, and there is nothing else here to eat. But looking on the piles of delicacies, I find my stomach turning.

“What’s that one?” Ettie points to a tiny mountain of macarons sandwiched together with fondant. My breath catches; they are so small and simple, so beautifully colored: soft pink for rosewater, red for strawberry, dark brown for chocolate, sienna for café. The burned-gold ones are salted caramel, and the white, delicate vanilla.

“That one please.” I point at a pale green one. The servant picks it up with silver tongs and places it on a saucer. I look at the macaron, the smallest smudge of green against so much pink-and-gold porcelain.

“That’s all?” Ettie asks, surprised. Her plate is piled high with cakes. She’s definitely making up for the weeks of hunger.

I can’t explain; there’s a lump in my throat. How can I be surrounded by such riches when hundreds of my brothers and sisters are dying of starvation? I signal to another servant. He brings a serviette of pink embroidered cloth. I take it and thank him. The prince looks at me, bemused.

“You don’t need to thank them,” he says in an undertone.

He’s right. Gentleman George would smack me for an error that blatant. I turn my mind to a way of bringing the conversation around to the kitchens, and where the larders or bakery might be.

“I’ve waited years to see you again. I thought I never would,” the prince mumbles to me, looking as if he is making bored, polite chatter. “You took the pendant of Charlemagne from me. I was in so much trouble!”

“Did … did they beat you?” I ask, curious as to how a dauphin qualifies “trouble.”

He turns to me, astonished.

“Beat me? Of course not. Nobody would ever dare beat me.”

I splutter into my teacup. “But you said you were in trouble.”

“Yes, well, Mother was very disappointed in me, and she does know how to make life extremely uncomfortable when she chooses.” He pauses to reflect. “I had a whipping boy when I was younger … What was his name? They would beat him if ever I did anything bad.”

A whipping boy. He’s worse than ridiculous; he’s horrible. I change the subject abruptly. “Do you want it back? The necklace?”

“What? Oh, well, it might be a tad difficult to explain how it’s turned up now, after so long,” he says dismissively, as if we were discussing a lost glove.

“It is one of the crown jewels of France,” I say, deeply reproachful, even while envisioning it around Tomasis’s neck, remembering the appreciation it earned me.

“Hmmm, yes …,” the dauphin says distractedly.

“Come here, child,” the queen says suddenly, beckoning Ettie.

Ettie looks at me nervously.

“There’s no need to fear,” says the queen. “I just want to see your lovely face.”