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Contents ( 101)
  1. THE COURT OF MIRACLES
  2. Kester Grant
  3. Copyright
  4. Dedication
  5. Map
  6. THE LAW OF THE MIRACLE COURT
  7. PART ONE
  8. How Fear Came
  9. 1823
  10. 1
  11. Le Début de l’Histoire
  12. 2
  13. The Keepers of the Gates
  14. 3
  15. The Lord of Thieves
  16. 4
  17. She Who Sleeps
  18. 5
  19. The Claws of the Hawk
  20. PART TWO
  21. The Dead Wolf
  22. 1829
  23. 6
  24. The Tiger
  25. 7
  26. The Black Cat’s Choice
  27. 8
  28. The Dealers of Death
  29. 9
  30. The Dead
  31. 10
  32. La Vallée de Misère
  33. 11
  34. The Dead Lord
  35. 12
  36. Les Oubliettes
  37. 13
  38. The Miracle Court
  39. 14
  40. The Master’s Hand
  41. PART THREE
  42. The Bread Price
  43. 15
  44. The Fountain
  45. 16
  46. The Dead Trial
  47. 17
  48. The Pont Neuf
  49. 18
  50. Of Drownings
  51. 19
  52. The Dauphin of France
  53. 20
  54. Ettie’s Tale
  55. 21
  56. The Sisters
  57. 22
  58. The Mesmerist
  59. 23
  60. Les Diamants de la Couronne
  61. 24
  62. The Bread Price
  63. 25
  64. The Stripes of the Cat
  65. PART FOUR
  66. The Black Cat’s Hunting
  67. 1832
  68. 26
  69. The Société des Droits de l’Homme
  70. 27
  71. Gray Brother
  72. 28
  73. Master of Knives
  74. 29
  75. Of Paper and Rats
  76. 30
  77. What the Lords Said
  78. 31
  79. The Dead Lord’s Word
  80. 32
  81. She Who Was Lost
  82. 33
  83. The Ruined Flesh
  84. 34
  85. The Truth
  86. 35
  87. Inspector Javert
  88. 36
  89. A Little Fall of Rain
  90. 37
  91. The Courier
  92. 38
  93. The Tiger’s Lair
  94. 39
  95. The Black Cat’s Father
  96. 40
  97. The Death Song
  98. 41
  99. The End of the Tale
  100. Les milles remerciements—en ordre chronologique
  101. About the Publisher

The room is the size of Thénardier’s entire inn, and of all the rooms in all the fine homes I’ve broken into, this one seems the most weighed down with an oppression of gilt. It frames every door and window, every corner, and marks the decor throughout, from an ornate clock to the chandelier to the candlesticks. Everything is gold. And what’s not gold is silk: patterned curtains; hand-painted wallpaper, cushion covers, and bed linens. Even the draperies that fall from the gaping mouth of the bed canopy are silks, heavy with tassels, and topped with gilt carvings of frolicking animals.

What’s not silk is covered in flowers. It looks as if a flower girl has gone mad and strewn her posies over every available surface. There are roses painted on the ceiling, delicate Qing gardens trailing along the walls, lilies and carnations woven into the impressive pastel Ottoman rug.

There is a click behind us: they’ve locked us in, which doesn’t faze me at all, since I’ve never met a lock I couldn’t pick.

Next to the obscenely large bed, almost made minute by a mountain of fluffy pillows, is a table bearing a platter of cold meats, sliced fruit, and cheeses. My stomach growls, and I go to inspect the offerings: thick slabs of pressed beef tongue, honeyed ham, and wafer-thin cured meats; a hard yellow Comté, a soft, peach-rinded Reblochon, a white-dusted Tomme de Savoie; thin slices of golden pears.

I pick up a piece of Comté and sniff it.

“It’s fine,” Ettie says, and I can hear her stomach growling.

I look at her reproachfully. I’ve told her many times not to eat or drink things offered unless you trust the giver. And sometimes not even then.

“Oh, just eat something, Nina.” She passes me a plate.

Giving her a look of condescension, I choose a single slice of pear and take a tiny bite. It melts in my mouth, all sweetness and juice. I swallow carefully and wait to see if I feel any side effects.

Ettie laughs. “Not everyone is trying to poison us.”

“That’s what you think,” I say darkly, deciding it’s probably safe to wolf down another piece of the pear.

“Isn’t it delightful to be so clean?”

I frown. Since I smell like I’ve been attacked by a lavender rosebush, I refuse to agree.

When my stomach is full, I pick through the leftovers and secrete some in the drawer of the bedside table.

“Why are you doing that?” Ettie asks.

“So we have more for later. Nobles always throw away leftovers.”

“They throw away food?” She looks affronted.

“Yes.” I stretch my body out on the bed beside her. I lay my head on the mountain of pillows and tell her every tale I know about the nobility: of la Reine des Gâteaux, who told her people to eat cake in the middle of a famine; of leprous King Louis XV, who thought his sickness could be cured by bathing in the blood of innocents and had his men steal children from the city streets until riots broke out in protest.